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Supplemental Nights Indypublish.Com? Richard F. Burton? Indypublish.Com? RichardF.Burton? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Classics? Subjects-Literature&Fiction-GenreFiction-FairyTales? Subjects-Literature&Fiction-WorldLiterature-Mythology-General? Subjects-ScienceFiction&Fantasy-Fantasy-Historical? Pratt's State Law of Closed-End Credit - Mid-Atlantic A S Pratt? D. S. Berenson? ASPratt? D.S.Berenson? Substores-UnknownASINs-35 Subjects-Law-Business-Banking? Subjects-Nonfiction-Law-Business-Banking? Subjects-Professional&Technical-Law-Business-Banking? Pratt's State Law of Closed-End Credit - Southeast A S Pratt? D. S. Berenson? ASPratt? D.S.Berenson? Substores-UnknownASINs-35 Subjects-Law-Business-Banking? Subjects-Nonfiction-Law-Business-Banking? Subjects-Professional&Technical-Law-Business-Banking? Supplemental Nights Indypublish.Com? Richard F. Burton? Indypublish.Com? RichardF.Burton? 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Robert Coover Beginnings/Readings Amer Audio Prose Library Inc? Robert Coover? AmerAudioProseLibraryInc? RobertCoover? Substores-UnknownASINs-35 Formats-Audiocassettes-General? Land's End Selected Poems Watershed Tapes Cassettes? Weldon Kees? WatershedTapesCassettes? WeldonKees? undefined undefined The Disowned Indypublish.Com? Edward Bulwer Lytton, Baron Lytton? Indypublish.Com? EdwardBulwerLytton,BaronLytton? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Literary? Mastera Hermitage? Bella Esersky? Hermitage? BellaEsersky? undefined undefined William Gass The Old Folks/Readings Amer Audio Prose Library Inc? William Gass? AmerAudioProseLibraryInc? WilliamGass? Substores-UnknownASINs-35 Formats-Audiocassettes-General? The Disowned Indypublish.Com? Edward Bulwer Lytton, Baron Lytton? Indypublish.Com? EdwardBulwerLytton,BaronLytton? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Literary? The Disowned Indypublish.Com? Edward Bulwer Lytton, Baron Lytton? 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Modern Perspectives on Thermoelectrics and Related Materials Symposium Held May 1-2, 1991, Anaheim, California, U.S.A. (Materials Research Society Symposium Proceedings) Materials Research Society? David D. Allred? MaterialsResearchSociety? DavidD.Allred? Substores-UnknownASINs-35 Subjects-Engineering-General? Subjects-Engineering-Materials-Properties-Physical? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Engineering-Materials-Properties-Physical? Subjects-Science-General The Hero of Hill House Indypublish.Com? Mable Hale? Indypublish.Com? MableHale? Substores-UnknownASINs-35 Subjects-Literature&Fiction-General-Contemporary? Substores-UnknownASINs-35 洋書
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Biology Chapters 1-21/Parts 1-4 Harcourt College Pub? Eldra P. Solomon? HarcourtCollegePub? EldraP.Solomon? ジャンル別? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences? Technology in America A Brief History Wadsworth Pub Co? Alan I. Marcus? Howard P. Segal? WadsworthPubCo? AlanI.Marcus? HowardP.Segal? ジャンル別? Subjects-Computers&Internet-General? Subjects-History-Americas-UnitedStates-19thCentury-General? Subjects-History-Americas-UnitedStates-20thCentury-General? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Technical Communication Wadsworth Pub Co? Rebecca E. Burnett? WadsworthPubCo? RebeccaE.Burnett? ジャンル別? Substores-UnknownASINs-6? Subjects-Science-General Subjects-Science-Technology-General&Reference Technical Communication A Reader-Centered Approach Heinle & Heinle Pub? Paul V. Anderson? Heinle&HeinlePub? 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Subjects-Science-Technology-General&Reference A Primer of Multivariate Statistics Harcourt College Pub? Richard J. Harris? HarcourtCollegePub? RichardJ.Harris? ジャンル別? Substores-UnknownASINs-6? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Technology-General&Reference Technology in America Wadsworth? Abraham Marcus? Howard P. Segal? Wadsworth? AbrahamMarcus? HowardP.Segal? ジャンル別? Subjects-History-Americas-UnitedStates-General? Subjects-Science-History&Philosophy-HistoryofScience? Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference The Almanac of Science and Technology What's New and What's Known Harcourt? Richard Golob? Eric Brus? Harcourt? RichardGolob? EricBrus? ジャンル別? Substores-UnknownASINs-6? Subjects-Reference? Subjects-Science-General Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference 1999 Electronic Commerce Assurance Services Harcourt Brace Professional Pub? 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Subjects-Science-General Subjects-Science-Technology-General&Reference Iso 9000 for Better Business Using Iso 9000 As a Foundatin for Total Quality Management Lanchester Pr Inc? Jack E. Small? LanchesterPrInc? JackE.Small? ジャンル別? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Business&Investing-Management&Leadership-TotalQualityManagement? Subjects-Computers&Internet-Networking-DataintheEnterprise-ISO9000? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-TotalQualityManagement? Subjects-Science-Technology-General&Reference ByPublisher-McGraw-Hill-McGraw-HillEngineeringStore-QualityEngineering-TQM? Iso 9000 for Better Business Lanchester Pr Inc? Jack E. Small? LanchesterPrInc? JackE.Small? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-General? Subjects-Business&Investing-Management&Leadership-Management? Subjects-Business&Investing-Management&Leadership-QualityControl? Subjects-Business&Investing-Management&Leadership-TotalQualityManagement? Subjects-Computers&Internet-WebDevelopment-HTML,Graphics,&Design-HTML-General? Subjects-Computers&Internet-Networking-DataintheEnterprise-ISO9000? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-QualityControl? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-TotalQualityManagement? 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Cecity Cannan Selby? NewYorkAcademyofSciences? CecilyCannanSelby? CecityCannanSelby? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-General? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Women in Science and Engineering Choices for Success (Annals of the New York Academy of Sciences) New York Academy of Sciences? Cecily Cannan Selby? NewYorkAcademyofSciences? CecilyCannanSelby? ジャンル別? Substores-UnknownASINs-36? Subjects-Nonfiction-Philosophy-Science? Subjects-Nonfiction-SocialSciences-GenderStudies-Women? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Technology-General&Reference Advanced Membrane Technology (Annals of the New York Academy of Sciences, V. 984) New York Academy of Sciences? Norman N. Li? NewYorkAcademyofSciences? NormanN.Li? ジャンル別? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-36? Subjects-Engineering-Chemical-General? Subjects-Professional&Technical-Engineering-Chemical-General? Subjects-Science-Chemistry-ChemicalEngineering? Subjects-Science-General Subjects-Science-Technology-General&Reference Cardiac Engineering From Genes And Cells To Structure And Function (Annals of the New York Academy of Sciences, V. 1015) New York Academy of Sciences? Larry and Horti Fairberg Cardiac Workshop? LARRY AND HORTI FAIRBERG CARDIAC WORKSHO? Samuel Sideman? Rafael Beyar? NewYorkAcademyofSciences? LarryandHortiFairbergCardiacWorkshop? LARRYANDHORTIFAIRBERGCARDIACWORKSHO? SamuelSideman? RafaelBeyar? ジャンル別? Subjects-Medicine-BasicScience-Physiology? Subjects-Professional&Technical-Medical-BasicSciences-Physiology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-Medicine-BasicScience-Physiology? Progress in Convergence Technologies for Human Wellbeing (Annals of the New York Academy of Sciences) Blackwell Pub? William Sims Bainbridge? Mihail C. Roco? BlackwellPub? WilliamSimsBainbridge? MihailC.Roco? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Bioengineering-Biotechnology? Subjects-Medicine-Nursing-General? Subjects-Medicine-SpecialTopics-Biotechnology? Subjects-Medicine-AlliedHealthProfessions-MedicalTechnology? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Professional&Technical-Engineering-Bioengineering-Biotechnology? Subjects-Professional&Technical-Medical-BasicSciences-Biotechnology? Subjects-Professional&Technical-Medical-AlliedHealthProfessions-MedicalTechnology? Subjects-Professional&Technical-Medical-Nursing-General? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Biotechnology? Subjects-Science-General Subjects-Science-Technology-General&Reference Subjects-Science-BiologicalSciences-Biotechnology? Subjects-Science-Medicine-Nursing-General? Subjects-Science-Medicine-SpecialTopics-Biotechnology? Subjects-Science-Medicine-AlliedHealthProfessions-MedicalTechnology? How the New Technology Works A Guide to High-Tech Concepts Oryx Pr? Robert J. Cone? Patricia L. Barnes-Svarney? OryxPr? RobertJ.Cone? PatriciaL.Barnes-Svarney? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Management&Leadership-Management? Subjects-Engineering-Reference? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Management? Subjects-Science-General Subjects-Science-Reference-Engineering? Subjects-Science-Technology-General&Reference How to Write Publish a Scientific Paper Oryx Pr? Robert A. Day? OryxPr? RobertA.Day? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-ComputerTechnology-TechnicalWriting? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-ComputerTechnology-TechnicalWriting? 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WilliamAllstetter? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Almanacs&Yearbooks? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Reference-General? Subjects-Science-Technology-General&Reference Science Technology Almanac 2002 (Science and Technology Almanac) Greenwood Pub Group? William Allstetter? Lynn Lauerman? GreenwoodPubGroup? WilliamAllstetter? LynnLauerman? ジャンル別? ユーズドブック(洋書)-Engineering Subjects-Engineering-Reference? Subjects-Nonfiction-Philosophy-Science? Subjects-Professional&Technical-Engineering-Reference? Subjects-Reference-Almanacs&Yearbooks-Almanacs? Subjects-Science-General Subjects-Science-History&Philosophy-General? Subjects-Science-Reference-Engineering? Subjects-Science-Reference-General? 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Teaching Faculty How to Use Technology Best Practices from Leading Institutions (American Council on Education/Oryx Press Series on Higher Education) Oryx Pr? Tony Bates? Rhonda Epper? OryxPr? TonyBates? RhondaEpper? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Business&Investing-Industries&Professions-HumanResources&PersonnelManagement? Subjects-Computers&Internet-ComputerScience-SoftwareEngineering-InformationSystems? Subjects-Computers&Internet-Home&Office-Internet-KidsandtheNet? Subjects-Nonfiction-Education-Technology&DistanceLearning-General? Subjects-Nonfiction-Education-Pedagogy? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-General? Subjects-Professional&Technical-Education-ByLevel-College? Subjects-Professional&Technical-Education-Technology&DistanceLearning-General? Subjects-Professional&Technical-Education-Pedagogy? Subjects-Professional&Technical-BusinessManagement-HumanResources&PersonnelManagement? Subjects-Science-Technology-General&Reference Technology Transfer and the University (American Council on Education/Oryx Press Series on Higher Education) Oryx Pr? Gary W. Matkin? OryxPr? GaryW.Matkin? ジャンル別? Subjects-Business&Investing-Biographies&Primers-Policy&CurrentEvents? Subjects-Business&Investing-Economics-Development&Growth? Subjects-Business&Investing-Economics-EconomicPolicy&Development? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Nonfiction-Education-Policy? Subjects-Nonfiction-Education-College&University-General? Subjects-Nonfiction-Education-General? Subjects-Nonfiction-Economics-Development&Growth? Subjects-Nonfiction-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-Education-ByLevel-College? Subjects-Professional&Technical-Education-Theory-EducationalReform-Policy&Reform? Subjects-Professional&Technical-Accounting&Finance-Economics-Development&Growth? Subjects-Professional&Technical-Accounting&Finance-Economics-EconomicPolicy&Development? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Subjects-Science-Technology-General&Reference Subjects-Science-Technology-TechnologyTransfer? Milestones in Computer Science and Information Technology Greenwood Pub Group? Edwin D. Reilly? GreenwoodPubGroup? EdwinD.Reilly? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-Business&Culture-History? Subjects-Computers&Internet-General? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Encyclopedia of Air Greenwood Pub Group? David E. Newton? GreenwoodPubGroup? DavidE.Newton? ジャンル別? Substores-UnknownASINs-36? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Outdoors&Nature-Ecology-Rivers? Subjects-Outdoors&Nature-Environment-Weather? 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Subjects-Science-Technology-General&Reference Annual Review of Information Science and Technology 1998 (Annual Review of Information Science and Technology) Information Today Inc? Martha E. Williams? InformationTodayInc? MarthaE.Williams? ジャンル別? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-SocialSciences-Library&InformationScience-InformationScience? Subjects-Reference-General? Subjects-Science-Technology-General&Reference The Web of Knowledge A Festschrift in Honor of Eugene Garfield (Asis Monograph Series) Information Today Inc? Eugene Garfield? Helen Barsky Atkins? InformationTodayInc? EugeneGarfield? HelenBarskyAtkins? ジャンル別? Subjects-Nonfiction-SocialSciences-Library&InformationScience-General? Subjects-Nonfiction-SocialSciences-Library&InformationScience-LibraryManagement? Subjects-Nonfiction-Education-Reference-Words&Language-Communication? Subjects-Reference-Words&Language-Communication? Subjects-Reference-General? Subjects-Science-Technology-General&Reference Annual Review of Information Science and Technology 2005 (Annual Review of Information Science and Technology) Information Today Inc? Blaise Cronin? InformationTodayInc? BlaiseCronin? ジャンル別? ユーズドブック(洋書)-Computers&Internet? Subjects-Computers&Internet-General? Subjects-Literature&Fiction-Books&Reading-General? Subjects-Nonfiction-SocialSciences-Library&InformationScience-InformationScience? Subjects-Science-Technology-General&Reference Satellite Imagery for the Masses Loompanics Unlimited,U.S.? Harold Hough? LoompanicsUnlimited,U.S.? HaroldHough? ジャンル別? Subjects-Arts&Photography-Photography-Collections,Catalogues&Exhibitions? Subjects-Science-Technology-General&Reference Technology and Science in Industrializing Nations 1500-1914 (Control of Nature Series) Humanity Books? Eric Dorn Brose? HumanityBooks? EricDornBrose? ジャンル別? Subjects-Business&Investing-Biographies&Primers-BusinessHistory? Subjects-History-World-General? 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Machines As the Measure of Men Science, Technology, and Ideologies of Western Dominance (Cornell Studies in Comparative History) Cornell Univ Pr? Michael Adas? CornellUnivPr? MichaelAdas? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-SocialSciences-Sociology-Culture? Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Subjects-Science-Technology-General&Reference Quadrupole Ion Trap Mass Spectrometry (Chemical Analysis) Wiley-Interscience? Raymond E. March? John F. J. Todd? Wiley-Interscience? RaymondE.March? JohnF.J.Todd? Substores-UnknownASINs-59? Subjects-Medicine-Specialties-Pathology-ClinicalChemistry? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Pathology-ClinicalChemistry? Subjects-Professional&Technical-ProfessionalScience-Chemistry-Analytic? Subjects-Professional&Technical-ProfessionalScience-Physics-Statics? Subjects-Science-Chemistry-Analytic? 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Apache HTTP Serverに戻る 環境 このドキュメントは以下のバージョンで確認した。 Apache 2.2.3 Tomcat 6.0.29 CentOS 5.5 MPM 使用しているMPMの確認 $ httpd -l Compiled in modules core.c prefork.c http_core.c mod_so.c 上記では、prefork（スレッドを使わない。前もってプロセスを起動）を使用している。 Tomcatとの連携 http //syo.cocolog-nifty.com/freely/2006/11/apache22tomcat5.html 参照 CentOS 5.5では、httpd.confに以下の設定がある ServerRoot "/etc/httpd" Include conf.d/*.conf /etc/httpd/conf.d/proxy_ajp.confに以下の設定があるのでコメントを除く。 ProxyPass /tomcat/ ajp //localhost 8009/ #ProxyPass /examples/ ajp //localhost 8009/jsp-examples/ 上記では、ドキュメントルート/tomcat下のURLが全てTomcatに転送される。 /etc/init.d/httpd restartを実効 http //サーバ/tomcat/で、Tomcatの初期画面を表示する。 SSL http //thinkit.co.jp/cert/article/0706/3/7/2.htm 参照 tomcatと連携する場合でも、apacheでSSLの設定をしておけばよいようだ。apach, tomcat間は復号化した伝文をやり取りするということ？ mod_sslインストール確認 CentOS5.5には既にmod_sslがインストールされている。 $ rpm -ql mod_ssl-2.2.3-45.el5.centos.1 /etc/httpd/conf.d/ssl.conf /usr/lib/httpd/modules/mod_ssl.so /var/cache/mod_ssl /var/cache/mod_ssl/scache.dir /var/cache/mod_ssl/scache.pag /var/cache/mod_ssl/scache.sem 秘密鍵作成 server.keyが秘密鍵になる。 # openssl genrsa -des3 1024 server.key オプション 説明 -des3 秘密鍵をトリプルDESで作成する 1024 秘密鍵のビットサイズ 公開鍵、組織情報作成 server.csrは公開鍵と、証明局がデジタル証明書を作成するときのもととなる組織の情報を含む。 # openssl req -new -key server.key server.csr Enter pass phrase for server.key You are about to be asked to enter information that will be incorporated into your certificate request. What you are about to enter is what is called a Distinguished Name or a DN. There are quite a few fields but you can leave some blank For some fields there will be a default value, If you enter . , the field will be left blank. ----- Country Name (2 letter code) [GB] JP State or Province Name (full name) [Berkshire] Kanagawa Locality Name (eg, city) [Newbury] Kawasaki Organization Name (eg, company) [My Company Ltd] company Organizational Unit Name (eg, section) [] kaihatubu Common Name (eg, your name or your server s hostname) [] 192.168.0.2 Email Address [] hoge@co.jp Please enter the following extra attributes to be sent with your certificate request A challenge password [] An optional company name [] 項目 説明 Country Name 国名 State or Province Name 都道府県名 Locality Name 市区町村名 Organization Name 組織名 Organizational Unit Name 組織単位名 Common Name サイトの名前。 Email Address メールアドレス A challenge password 証明書を破棄する場合に必要になるパスワード An optional company name 別の組織名がある場合、その組織名 NATでサーバにプライベートアドレスを設定しているが、Common Nameには、プライベートIPアドレスを設定して接続した。ドメインを設定して、Apacheの仮想ホストを使って、固有の設定にすることが可能。 証明書の作成 公開鍵を含む。秘密鍵を使って暗号化し証明書を作成している。CAを使った場合はCAの公開鍵を使って証明書を複合化し公開鍵を取得するがこの場合は、公開鍵をどこから入手しているのだろうか？ # openssl x509 -in server.csr -days 365 -req -signkey server.key server.crt オプション 説明 x509 証明書(certificate)の作成変換、 -in arg 入力ファイル -days arg 証明書の有効日数 -req ？？？ -signkey arg 秘密鍵ファイル apacheへの鍵の組み込み テストのときは秘密鍵のパスフレーズを解除する。解除しないとapache起動時にパスフレーズを入力しなければならない。 # openssl rsa -in server.key_bk server.key とりあえず、CentOS付属のApacheのSSL設定ファイル（/etc/httpd/conf.d/ssl.conf）に以下を設定 #SSLCertificateFile /etc/pki/tls/certs/localhost.crt SSLCertificateFile /etc/ssl/server.crt ・・・ #SSLCertificateKeyFile /etc/pki/tls/private/localhost.key SSLCertificateKeyFile /etc/ssl/server.key SSL設定の詳細はhttp //httpd.apache.org/docs/2.2/mod/mod_ssl.html 参照 ログ アクセスログ httpd.confに設定 CustomLog logs/access_log combined 設定 設定ファイルディレクトリ /etc/httpd/conf /etc/httpd/conf.d アクセス制御 http //d.hatena.ne.jp/koseki2/20100913/ApacheAccessControl 参照 仮想ホスト サーバのIPアドレスに複数の名前を割り当て、名前ごとに設定（ドキュメントルート、アクセス権など）を変える。 【例】 VirtualHost * 80 ServerAdmin webmaster@dummy-host.example.com DocumentRoot /www/docs/dummy-host.example.com ServerName dummy-host.example.com ErrorLog logs/dummy-host.example.com-error_log CustomLog logs/dummy-host.example.com-access_log common /VirtualHost サーバの全てのインタフェースに対して、dummy-host.example.comにアクセスした場合は、上記の設定に従う。（ドキュメントルートは、/www/docs/dummy-host.example.comなど）
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Chamber World Reports Russia 1994/Political Economic Analysis Business Directory Jonathan K. Schmidt? Germany Restructures Opportunities in a Changing Market (Chamber World Reports) Peter Johnson?Jonathan Schmidt? Photoplay Obras De the Chase Manhattan Collection = Works from the Chase Manhattan Collection Lisa Phillips Fly for Less 1996 The Only Complete Guide to Selecting Reliable Consolidators Wholesalers Who Offer Bargain Airfares Gary E. Schmidt? Fly for Less 1997 Gary E. Schmidt? Fly for Less The Ultimate Guide to Bargain Airfares (3rd ed) Gary E. Schmidt? Product Engineering Manufacturing Patrick F. Cunniff?James W. Dally?Jeffery W. Herrmann?Linda C. Schmidt?Guangming Zhang? Hooks for the Fly A Tier's Reference Guide Bill Schmidt? Earth Woman Adult Writing Journal Suzanne Schmidt?None? The Computer Revolution Survival Guide (Or Martha Cuts Loose) F. Jeffery Schmidt? Creating Documents With Business Objects 4.1 Robert D. Schmidt? 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HDBK SEL LEGISLATION/DOCU Schmidt American Government and Politics Today The Essentials, 1998-1999 (Political Science Series) Barbara A. Bardes?MacK C. Shelley?Steffen W. Schmidt? Custom Telecourse Study Guide for American Government and Politics Today 1999-2000 Edition Steffen W. Schmidt?Mack C. Shelley?Barbara A. Bardes?Neil Sapper? American Government and Politics Today 1999-2000 Steffen W. Schmidt?Mark C. Shelley?Barbara A. Bardes? Study Guide for American Government and Politics Today 1999-2000 Edition Steffen W. Schmidt?Mark C. Shelley?Barbara A. Bardes?James Perkins? American Government Smartbox Steffan W. Schmidt?Mack C. Shelley?Barbara Bardes? American Government and Politics Today The Essentials, 2000-2001 Edition Barbara A. Bardes?MacK C., Ii Shelley?Steffen W. Schmidt? American Government and Politics Today 2001/With Infotrac Steffen Schmidt?Mark Shelley?Bardes Barbra? READINGS IN AMER GOV 3E Schmidt Schmidt, Shelly, and Bardes's American Government and Politics Today 2001-2002 James Perkins? American Government and Politics Today With Infotrac 2001-2002 Steffen W. Schmidt?Mack C. Shelley?Barbara A. Bardes? IE Amer Gov/Pol Brief 01-02 SHELLEY?BARDES?SCHMIDT American Government and Politics Today 2001-2002 Steffen W. Schmidt?Mack C. Shelley?Barbara A. Bardes? American Government and Politics Today 2001-2002 Steffen W. Schmidt?MacK C. Shelley?Barbara A. Bardes? American Government and Politics Today 2001-2002/With Infotrac Steffen W. Schmidt? American Government and Politics Today 2001-2002 Steffen W. Schmidt? American Government And Politics Today Texas, 2006-2007 Steffen W. Schmidt?Mack C. Shelley?Barbara A. Bardes?William Earl Maxwell?Ernest Crain? SG Am Gov/Pol-TX 06-07 12e SHELLEY?BARDES?SCHMIDT American Government and Politics Today The Essentials, 2002-2003 Edition (American Government and Politics Today) Barbara A. Bardes?MacK C. 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American Government and Politics Today (American Government Politics Today The Essentials) Bardes?Shelley?Schmidt AMER/GOV/POL ESS W/CD 11E IE BARDES?SHELLEY?SCHMIDT Patterns Of Religion Roger Schmidt?Gene C. Sager?Gerald Carney?Albert Charles Muller?Kenneth J. Zanca? American Government And Politics Today, 2005-2006 (American Government and Politics Today) Steffen W. Schmidt?Mack C. Shelley?Barbara A. Bardes? IE-Amer Gov/Pol W/CD 12e SHELLEY?BARDES?SCHMIDT American Government and Politics Today Brief Edition, 2004-2005 With Infotrac (Advantage Series) Steffen W. Schmidt?Barbara A. Bardes?Mack C. Shelley? IE Am Gov/Pol,Ess 06-07 12e SHELLEY?SCHMIDTBARDES? American Government And Politics Today 2006-2007 The Essentials Barbara A. Bardes?Mack C. Shelley?Steffen W. Schmidt? American Government And Politics Today, 2006-2007 The Essentials (American Government and Politics Today) Barbara A. Bardes?Mack C. Shelley?Steffen W. Schmidt? American Government and Politics Today Steffen W. 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Une place de village. — À gauche la maison de Guillot ; à droite, l’entrée d’une grange devant laquelle se trouve un gros arbre dont le pied forme banc de gazon ; une petite table rustique devant la maison. Scène PREMIÈRE GUILLOT, DENISE Denise est debout auprès de l’arbre, elle est pensive. — Guillot entre par la gauche. GUILLOT, brusquement. Eh bien ! qu’est-ce que tu fais là, plantée comme une image ? DENISE Moi, mon cousin, je ne fais rien. GUILLOT Je le vois bien !… à quoi que tu penses ? DENISE Dame ! mon cousin… GUILLOT À pas grand’chose de bon, bien sûr. Les poules ont-elles à manger seulement ? je parie que tu ne leur z’as pas encore donné leur grain d’aujourd’hui ! DENISE Non, mon cousin, mais… GUILLOT Là ! qu’est-ce que je disais !… As-tu fini de tricoter la paire de bas que tu as commencée avant-z’hier ? DENISE Oh ! pour ça non, mon cousin… GUILLOT J’en étais sûr ! et il est déjà sept heures du matin ! — Mais quoi que t’as fait aujourd’hui, je vous le demande ?… À quoi que tu passes ton temps ? à dormir debout, à rêvasser comme une demoiselle !… ça n’peut pas marcher comme ça, d’abord !… avec ta mine triste à porter le diable en terre… DENISE Oui, mon cousin… RONDEAU. GUILLOT Que dirait l’oncle Mathurin, S’il te voyait l’air si chagrin ? Toi qui jadis toujours rieuse, Étais d’ici la plus joyeuse ! Allons, je veux te voir soudain Riante, gaie, heureuse, enfin ! GUILLOT À quoi passes-tu la journée ? Trouverai-je en rentrant la basse-cour gavée ? DENISE Oui, mon cousin. GUILLOT As-tu rentré dans l’écurie Le foin ? As-tu mené les bœufs dans la prairie ? DENISE Oui, mon cousin. GUILLOT Et la soupe est-elle trempée ? As-tu mis au grenier la luzerne coupée ? DENISE Oui, mon cousin. GUILLOT Trouverai-je enfin, je te prie, Tout en ordre en rentrant dans notre métairie ? DENISE Oui, mon cousin. GUILLOT Alors, tu dois être contente ? Pourquoi donc n’as-tu plus la mine souriante ? Que dirait l’oncle Mathurin S’il te voyait, etc., etc., etc. GUILLOT Tu ne fais rien depuis deux heures Eh bien !… en vérité, l’on dirait que tu pleures ! DENISE, s’essuyant les yeux. Non, mon cousin. GUILLOT Ne suis-je pas la bonté même ? Et, pour toi, ma douceur n’est-elle pas extrême ? DENISE Si, mon cousin. GUILLOT Alors, tâche donc de me dire Pourquoi jamais chez nous l’on ne te voit sourire ? DENISE Dame, mon cousin. GUILLOT Allons, j’entends que tout de suite Tu sois gaie, et je veux te voir rire au plus vite, DENISE, souriant. Oui, mon cousin. GUILLOT Je suis content, à la bonne heure ! Mais je me fâcherai désormais si l’on pleure. Que dirait l’oncle Mathurin, Etc., etc., etc. GUILLOT Voyons, dépêche-toi… va donner la becquée aux poules et puis finis ta paire de bas, et puis repasse le linge de la lessive, et plus vite que ça, ou sinon… DENISE, effrayée. Oui, mon cousin… Elle se sauve. Scène II GUILLOT, seul. Quand Denise est partie, Gaillet se met à rire en regardant le public — puis d’une voix très-douce. J’ai l’air de croquemitaine, n’est-ce pas ? quand je parle à cette jeunesse… c’est exprès… c’est pour de rire ! Je tâche de l’échigner à force de la faire travailler… c’est bon pour les filles, ça… il n’y a rien qui les abrutit comme la fatigue ! et ça les empêche de penser à mal… et celle-là, je serais si désolé de la voir mal tourner !… car enfin c’est ma petite cousine, puisqu’elle est la nièce de mon oncle Mathurin ; c’est comme mon enfant, puisqu’elle est orpheline, et que son oncle, le mien, le père Mathurin, me l’a confiée quand il est parti pour Paris… Jusqu’à présent je n’en avais jamais eu que de la satisfaction, quand, il y a quinze jours, en passant du côté de la poste, je la vois qui mettait une lettre dans la boîte… Je me dis tout de suite bien sûr, c’est à Grévin qu’elle écrit. Il a dansé neuf rondes avec elle, dimanche soir à l’assemblée, avant de retourner à son village… Bien sûr, c’est à Grévin qu’elle écrit !… aussi, je vous demande un peu pourquoi qu’on y a appris à écrire !… Est-ce qu’une fille devrait savoir de ces choses-là ? mais c’était une lubie de notre oncle Mathurin, il a tenu à ce que j’avions de l’instruction !… Enfin, v’là Denise qui rentre ; j’étais furieux… je lui fais des misères… elle se met à pleurer… moi, je ne sais pas résister à ses pleurs d’abord, mais n’importe, je prends mon courage à quatre mains, et je lui dis bravement Mademoiselle, vous avez écrit à Grévin !… Elle me dit que non… je lui dis que si, et que j’ai vu la lettre ! Ah !… eh bien, croiriez-vous que je n’ai jamais pu faire avouer à cette obstinée-là qu’elle avait écrit à Grévin ?… Oh ! c’est menteur, ces petites filles !… Et puis, faut-il qu’elle soit godiche de se mettre à avoir des idées pour un gueux comme ça ?… car c’est un gueux, Grévin, savez-vous, un vrai gueux, un plat gueux, pas autre chose qu’un gueux ! Si, encore autre chose, un enjoleux. Et je ne veux pas qu’elle soit malheureuse, moi, parce qu’enfin c’est une brave fille, et c’est elle qu’a soigné ma pauvre mère dans sa dernière maladie, pendant que j’étais garçon de ferme, à cinq lieues d’ici ; et ces choses- là ça ne s’oublie pas ; aussi si jamais… je ne te dis que, ça… vois-tu, Denise… Voyons un peu si elle a fait ce que je lui ai dit. Il rentre dans la grange. Scène III CATHERINE, FANCHETTE Elles entrent bras dessus, bras dessous, par le fond à gauche. FANCHETTE Et alors donc, vous me disiez ?… CATHERINE Je vous disais que je voudrais devenir une madame. FANCHETTE Et moi donc ! si je pouvais trouver un riche parti, pour me dédommager un peu de feu mon époux ! CATHERINE Tu l’aimais bien, pourtant… FANCHETTE Sans doute, mais ce n’était qu’un paysan. Crois-moi, ma chère, n’épouse jamais qu’un homme huppé. CATHERINE Oh ! si un monsieur voulait de moi !… FANCHETTE C’est pas les amoureux qui nous manquent. CATHERINE Non… c’est l’argent qui manque aux amoureux. FANCHETTE Ainsi, il y a ce grand dadais de Guillot… CATHERINE Le neveu du père Mathurin ? FANCHETTE Je suis sûre qu’il est amoureux de moi ! CATHERINE Tiens, franchement, je crois plutôt que c’est de moi… FANCHETTE Pourtant, c’est bien à moi qu’il fait la cour ! CATHERINE A moi aussi, toujours ! A preuve que, l’autre matin, tandis que j’étions à l’abreuvoir, il m’a flanqué un grand coup de poing dans le dos, que j’ai manqué de dévaler dans l’eau… C’est ça, une marque d’amour ! FANCHETTE Eh bien ! et moi donc, l’autre soir, à la veillée, comme j’allais pour m’asseoir, il m’a retiré ma chaise et je suis tombée sur… le plancher, ah ! qu’est-ce que tu dis d’çà, toi. Oh ! après ça, va, je n’y tiens pas… si tu le veux, je te le cède. CATHERINE Pas du tout, moi, je t’en fais cadeau. FANCHETTE Qu’est-ce que j’en ferais ? Il n’a pas le sou ! CATHERINE C’est bien pour ça que je ne l’encourage point. FANCHETTE Et puis, il est trop doux on n’aurait pas de plaisir à le battre. CATHERINE Le fait est qu’il ne ressemble guère à mon premier mari, qui, hélas ! me… FANCHETTE Ah bah !… est-ce que ?… I CATHERINE Mon cher mari quelquefois s’emportait, Il me battait, me battait, me battait. (Bis.) Moi, je pleurais, je pleurais, je pleurais, Et jour et nuit, hélas je soupirais… Voyant mes pleurs couler, Dans sa rage inhumaine, Loin de me consoler Il riait de ma peine, Et plus je pleurais, plus il me battait ! (Bis.) FANCHETTE, parlé. Ah bien, chez nous, c’était tout le contraire ! II Soir et matin, c’est moi qui m’emportais, Je le battais, le battais, le battais. Il suppliait, il tremblait, il jurait, Et jour et nuit à mes pieds soupirait. En vain pour m’apaiser Il devenait plus tendre, Je gardais le baiser Qu’il eût voulu reprendre, Et plus il criait, plus je le battais ! Scène IV Les Mêmes, GUILLOT. Il sort de la grange tenant un broc de vin. GUILLOT Mais où diable peut-elle être, cette enragée-là ? je vous le demande… la v’là encore partie… C’est égal, il est bon le petit vin du père Mathurin, il se laisse boire. CATHERINE Tiens ! quand on parle du soleil… Bonjour, Guillot. GUILLOT Bonjour, Catherine ; bonjour, Fanchette. FANCHETTE Qu’est-ce que vous avez donc, Guillot ? (Bas à Catherine.) Il a l’air plus bête que de coutume. Elles rient. GUILLOT, riant, à part. C’est gai, les jeunesses ! CATHERINE C’est l’effet du vin. GUILLOT Le vin ? Oh ! non, c’est l’inquiétude. Il pose son broc sur la table. FANCHETTE Et de quoi donc ? GUILLOT Voilà plus de quinze jours que j’ai écrit à mon oncle Mathurin, et je ne vois pas arriver sa réponse… Il passe entre les deux femmes. FANCHETTE Dame ! vous ne lui écrivez jamais que pour lui demander quelque chose… GUILLOT Oh ! ça… bien sûr que quand je lui écris, c’est pas pour lui faire des cadeaux ! CATHERINE Lui en avez-vous soutiré de l’argent, à ce pauvre homme ! GUILLOT Pauvre, lui ! (Riant bêtement.) Oh ! oh ! oh ! FANCHETTE, l’imitant en se moquant de lui. Oh ! oh ! Rit-il bêtement, ce gaillard-là ! GUILLOT, à part. C’est gai, les jeunesses !… (Haut.) Mais, mes pauvres chattes, mon oncle est plus riche, à lui tout seul, que tout le village réuni. FANCHETTE IL n’a pas de biens au soleil. GUILLOT C’est vrai… mais il a des écus, ce qui vaut mieux… et il faut croire que son sac n’a pas de fond… car ce qu’il y a de sûr, c’est que jusqu’à présent, il ne m’en a jamais refusé… Après ça, c’est tout naturel il a de quoi, moi, je n’ai rien… mais c’est égal, cette fois, je ne sais pas s’il m’accordera… CATHERINE Vous lui avez encore demandé quelque chose ! GUILLOT Toujours !… mais ce coup-ci, la demande est forte et je crains bien… CATHERINE S’il pouvait vous donner de l’esprit, mon garçon, ça serait un fameux cadeau !… GUILLOT Ah ! que vous êtes drôle, Catherine ! CATHERINE L’est pas comme vous, alors ; car vous ne l’êtes guère ! GUILLOT C’est gai, les jeunesses !… Scène V Les Mêmes, DENISE. DENISE Mon cousin !…mon cousin !… GUILLOT, durement. Ah ! te voilà, toi !… d’où que tu viens encore ? qu’est-ce que tu veux ?… voyons, parleras-tu ?… DENISE Comme je passais du côté de la poste… GUILLOT Du côté de la poste !… tu y passes ben souvent, du côté de la poste ! qu’est-ce que tu y allais faire ? DENISE Dame ! mon cousin… GUILLOT Hum ! mauvaise herbe ! après, voyons ? DENISE Eh ! bien, il y a l’homme qui m’a appelée pour me remettre une lettre… GUILLOT De Grévin, je parie !… DENISE Non, mon cousin… GUILLOT Ah ! petite menteuse !.. oùs qu’elle est cette lettre ?… je veux la voir ! DENISE La v’là, mon cousin, je vous l’apporte… elle est pour vous… GUILLOT Pour moi ?… ah ! c’est différent ! FANCHETTE C’est de votre oncle, peut-être ? GUILLOT, ému. Oui, ça vient de Paris ! DENISE, à part. De mon oncle Mathurin ! Oh ! mon Dieu ! il lui écrit à lui aussi… pourvu qu’il ne lui dise pas… Sauvons-nous. Elle entre dans la grange. Scène VI Les Mêmes, moins DENISE. TRIO. FANCHETTE Eh bien, Guillot, quoi !… vous ne lisez pas ? CATHERINE Mais d’où vient donc tant d’embarras ? GUILLOT, à part. Je n’ose !… Si dans cette lettre Pour le consentement que j’osais me promettre, J’allais rencontrer un refus ! FANCHETTE Assurez-vous-en donc, vous ne tremblerez plus. GUILLOT C’est juste, ouvrons ! Il ouvre la lettre et lit « Mon cher neveu, » Ah quelle chance ! Cela commence Comme un aveu ! Lisant. « Mon cher neveu, dans ta lettre dernière, » Tu me demandes… » — Dieu ! que vois-je là ? CATHERINE Quoi donc ? GUILLOT Ah ! c’est mon second père ! Il m’accorde encore cela ! FANCHETTE Mais quoi donc ? GUILLOT Tenez, lisez ! Ou plutôt, non, écoutez ! Il lit. « A tes désirs toujours docile, » Je t’ai souvent donné de l’or. » Ta demande serait désormais inutile, » Et pour qu’à l’avenir tu me laisses tranquille. » Je te donne en ce jour… FANCHETTE, CATHERINE. Il vous donne ? GUILLOT Un trésor. » FANCHETTE Un trésor ! CATHERINE Un trésor ! GUILLOT Je ne changerais pas mon sort, Contre celui du seigneur du village, Et ma femme, dans son ménage, Sera, comme une reine, heureuse et plus encore CATHERINE Un trésor ! FANCHETTE Un trésor ! ENSEMBLE. FANCHETTE, CATHERINE Un trésor ! le voilà, ma foi, En ce jour plus heureux qu’un roi ! Ah ! que ne suis-je la nièce De ce donneur de trésor ! Peut-être que sa tendresse Eût sur moi fait pleuvoir l’or ! Un trésor ! GUILLOT Quel trésor ! me voilà, ma foi, En ce jour plus heureux qu’un roi ! Ah ! que je me sens de tendresse Pour ce précieux trésor ! Je préfère ma richesse A toutes les mines d’or ! Un trésor ! GUILLOT Ah ! le cher oncle !… un trésor à moi ! un vrai trésor ! c’est à ne pas y croire ! FANCHETTE Un trésor !… Vraiment ce garçon n’a pas l’air si bête qu’on le croirait d’abord. CATHERINE Un trésor !… Quand on le considère, ce brave Guillot, il n’est vraiment pas si laid… FANCHETTE Il a les yeux vifs. CATHERINE Il a quelque chose dans le nez… GUILLOT Mais, alors, je vais pouvoir me marier comme je l’entends. FANCHETTE C’est ce que j’allais vous dire… CATHERINE Quand on est riche, n’est-ce pas, on choisit. GUILLOT C’est bien mon avis, et mon choix ne sera pas long. FANCHETTE Si on aime une blonde, on prend une blonde… CATHERINE Si on préfère les brunes, on prend une brune. GUILLOT Vous ne me laissez pas finir ma lettre. Il faut pourtant bien que je sache où il est, ce trésor… (Lisant.) « Sous le gros arbre, devant ta porte, ce soir, quand sonnera l’angelus… (Voyant les deux femmes qui le guettent.) Eh bien, sont-elles curieuses, donc !… ah ! le cher trésor ! et maintenant je veux boire à la santé de l’oncle Mathurin, et vous aussi vous boirez, et vous aussi. Eh ! Denise, des verres ! FANCHETTE, à part. Sous le gros arbre… on y sera !… CATHERINE, à part. Quand l’angelus sonnera… on y serai… GUILLOT, à part. Ce soir, ici, avec ma bêche… (Haut.) Eh ben, Denise ! des verres ! DENISE, entrant. Voilà, mon cousin ! Scène VII Les Mêmes, DENISE. Elle apporte trois gobelets. FANCHETTE et CATHERINE Donne !… c’est moi qui verserai ! FANCHETTE C’est moi ! CATHERINE C’est moi ! GUILLOT Allons, allons, ne nous disputons pas ! (Tendant son verre Denise.) Verse, Denise ! CHANSON A BOIRE. I Quand les moutons sont dans l’étable, Quand les poules sont au perchoir, Le dos au feu, le ventre à table, Près d’un ami, j’aime à m’asseoir. Si Dieu nous défendait de boire, Aurait-il fait le vin si bon ? Non ! Si l’eau nous pousse à l’humeur noire, Le vin dissipe notre ennui ! Oui ! Allons donc ! Buvons donc ! Si Dieu nous défendait de boire, Aurait-il fait le vin si bon ? Non ! II Quand j’ai soif, j’ai l’esprit morose ; Je suis stupid’, gauche et poltron ; Quand j’ai bu, je vois tout en rose, Quand j’ai bu, je suis un luron ! Il prend la taille de Catherine et celle de Fanchette. Si Dieu nous défendait de boire, Etc., etc. GUILLOT, un peu gris. Eh bien ! qu’est-ce que vous dites de ma chanson ?… Et mon vin, comment le trouvez-vous ? Ah ! ah ! ah ! je crois que j’en ai trop bu ! faut que j’aille faire quelques courses dans le village… Adieu, Fanchette ! (Il l’embrasse.) je ne te dis que ça !… Adieu, Catherine ! (Il l’embrasse.) je ne te dis que ça !… Ah ! ah ! ah !… Il sort. DENISE Il s’en va sans m’embrasser ! Elle rentre tristement dans la maison. Scène VIII CATHERINE, FANCHETTE. CATHERINE Ah ! vous vous laissez embrasser comme ça, vous ! FANCHETTE Ah ! c’est comme ça que vous vous défendez, vous ! CATHERINE Il paraît que vous en tenez pour Guillot, depuis qu’il est riche ! FANCHETTE On voit bien que son magot vous donne dans l’œil ! CATHERINE Parlez pour vous ! FANCHETTE Mais non ! CATHERINE Mais si ! FANCHETTE Mais non ! c’est-y pas vous qui me disiez tout à l’heure que vous voudriez être une madame ! CATHERINE Et vous donc qui demandiez un homme huppé. FANCHETTE Comme si on ne lisait point dans votre jeu ! CATHERINE Comme si je ne devinais point que c’est le trésor qui vous tente ! FANCHETTE Vous trouviez Guillot si bête ! CATHERINE C’est vous !… FANCHETTE C’est vous ! CATHERINE Mais non ! FANCHETTE Mais si ! CATHERINE Mais non ! TOUTES DEUX. Ah ! ah ! DUETTO. ENSEMBLE. Ah ! la fine mouche ! La sainte-nitouche ! Quel air innocent ! Je me tiens à quatre Pour ne pas la battre ! C’est irritant, C’est déplaisant, C’est agaçant ! CATHERINE Quand Guillot vous agace, Vous lui tendez la face ! FANCHETTE S’il vous prend dans ses bras, Vous n’le maltraitez pas ! CATHERINE Je vois bien que madame Voudrait d’venir sa femme. FANCHETTE Madame aurait l’esprit De l’choisir pour mari ! REPRISE DE L’ENSEMBLE. Ah ! la fine mouche ! La sainte-nitouche ! Quel air innocent ! Je me tiens à quatre Pour ne pas la battre ! C’est irritant, C’est déplaisant, C’est agaçant ! CATHERINE Vous aurez beau dire, Il faut, pour l’séduire, De certains attraits Qu’vous n’aurez jamais ! FANCHETTE Vous aurez beau faire, Il faut pour lui plaire, De certains appas, Que vous n’avez pas ! CATHERINE Guillot n’est point bête, La noce n’est point faite. FANCHETTE Et s’il a d’bons yeux, Il peut choisir mieux. CATHERINE Guillot, quoi qu’on dise, N’f’ra pas la sottise D’vous donner dès d’main Son cœur et sa main. ENSEMBLE. Elle enrage ! elle enrage ! Se montrant le poing. N’ajoute plus un mot Ou bien j’te dévisage ! Se jetant leurs sabots dans les jambes. Tiens ! tiens ! V’là mon sabot ! Se prenant aux cheveux. Quand on m’fâche, Moi j’arrache Les cheveux Et les yeux ! Tiens ! tiens ! tiens ! Elles s’arrachent leurs cornettes et leurs fichas et les jettent en l’air ; le garde champêtre parait au fond. Scène IX Les Mêmes, LE GARDE CHAMPÊTRE. LE GARDE CHAMPÊTRE, s’interposant et recevant les coups des deux côtés. Eh ben ! eh ben ! eh ben ! Deux femmes qui se disputent, ça ne s’est jamais vu dans la commune. CATHERINE et FANCHETTE Le garde champêtre ! CATHERINE, très-vite. Vous saurez, père Mathias… FANCHETTE, id. Faut que je vous dise… CATHERINE Que Guillot… FANCHETTE A reçu de son oncle Mathurin… CATHERINE Une lettre qui lui apprend… FANCHETTE Que sous le gros arbre qui est là… CATHERINE Devant sa porte… FANCHETTE Il trouvera ce soir. CATHERINE A l’heure de l’angelus… LE GARDE CHAMPÊTRE Quoi ? CATHERINE et FANCHETTE Chut ! on vient. FANCHETTE Venez avec nous, je vous dirai le reste ! Elles entraînent le garde champêtre, et tous trois sortent par la droite au fond. Scène X DENISE, seule. – Elle tient une lettre à la main et lit. « Je sais d’où vient ton chagrin, ma chère Denise… « c’est un mari qu’il te faut, un bon mari… » (Soupirant.) un mari ! — « Je me charge de te l’envoyer. — Viens t’asseoir au pied du gros arbre qui est devant votre porte, et quand l’angelus du soir sonnera… » — L’oncle Mathurin se moque de moi ! — Ce n’est pas un mari que je demande… à moins que… mais non, c’est Fanchette ou Catherine qu’il aime ! moi, je vois bien que je lui déplais ! (Regardant autour d’elle.) Voici la nuit et la cloche de l’angelus va sonner… j’ai bien envie de m’asseoir au pied de l’arbre pour voir si l’oncle Mathurin tiendra sa promesse !… On entend sonner la cloche de l’angelus. — Nuit complète. FINALE. DENISE Voici l’angelus qui sonne ; Le jour s’enfuit, Voici la nuit… Elle regarde autour d’elle. Je ne vois encore personne, Ne disons rien, Écoutons bien. Elle s’assied au pied de l’arbre. GUILLOT, sortant du hangar avec une bêche et une lanterne. Voici l’angelus qui sonne ; Le jour s’enfuit, Voici la nuit. Dirigeant la lumière de sa lanterne vers le fond du théâtre. Tout dort — je ne vois personne ; Ne disons rien Tout ira bien ! Il remonte vers le fond. FANCHETTE et CATHERINE, paraissant, l’une à droite et l’autre à gauche du théâtre, une lanterne à la main. Voici l’angelus qui sonne ; Le jour s’enfuit, Voici la nuit… Ne disons rien à personne, Écoutons bien ! Tout ira bien ! DENISE, s’endormant peu à peu. Ah ! comme je suis lasse ! GUILLOT, s’approchant de l’arbre. Voici la bonne place ! CATHERINE et FANCHETTE, cachant leurs lanternes sons leurs tabliers et se retirant sous le feuillage. C’est lui, gardons la place ! DENISE Malgré moi, je m’endors. GUILLOT, posant sa lanterne à terre et commençant à bêcher derrière l’arbre. C’est le nid aux trésors ! Denise s’est endormie. Corbleu ! morbleu ! j’ai beau creuser la terre, Je ne vois rien encor ! Il s’arrête et s’essuie le front. CATHERINE et FANCHETTE. Sachons nous taire ! GUILLOT Maudit trésor ! Où peut-il être ? Cherchons encor, Ici peut-être. Il s’approche près du banc. Que vois-je ? c’est Denise ! CATHERINE et FANCHETTE, à part. Comment ! voilà Denise ! GUILLOT Elle dort ! CATHERINE et FANCHETTE Elle dort ! GUILLOT. Et près d’elle peut-être est caché le trésor ! Il va pour l’éveiller. Mais la pauvre enfant repose. La réveiller… hélas ! je n’ose ! DENISE, rêvant. Guillot ! mon cher Guillot ! GUILLOT Elle me voit en rêve ! DENISE Mon bon Guillot ! GUILLOT, se penchant vers Denise. Achève ! CATHERINE, à part. Ah ! j’enrage ! FANCHETTE, à part. Je crève ! GUILLOT, apercevant la lettre. Mais quel est ce papier ? CATHERINE et FANCHETTE Un papier ? GUILLOT De Grévin ! C’est quelque billet doux, peut-être !… Ah ! le gredin Lisons vite ! Il tire doucement le papier des doigts de Denise et le parcourt à la lueur de sa lanterne. CATHERINE et FANCHETTE, à part et se rapprochant. Ecoutons GUILLOT Ciel ! que viens-je de lire ! C’est un billet de l’oncle Mathurin !… Lisant. « L’époux que ton cœur désire, » Quand l’angelus sonnera, » A tes côtés apparaîtra ! » On entend de nouveau la cloche de l’angelus. CATHERINE et FANCHETTE Voici l’angelus qui sonne ! GUILLOT Voici l’angelus qui sonne ! DENISE, s’éveillant à demi. Voici l’angelus qui sonne. GUILLOT, lisant. Parlé. « En te donnant à lui, mignonne, » C’est un trésor que je lui donne. » Un trésor ! — Je comprends ! DENISE, s’éveillant. Hein plaît-il ? qui est là ? Est-ce vous, mon mari ? GUILLOT Oui, Denise, c’est moi ! DENISE Guillot ! GUILLOT, se mettant à genoux devant Denise. Guillot qui t’aime, ma petite Denise, et qui te demande de vouloir bien être sa femme. CATHERINE et FANCHETTE Ah bah ! GUILLOT, se retournant. Tiens ! Catherine et Fanchette ! Bonsoir, Fanchette ; bonsoir, Catherine, je vous présente ma femme. Scène XI Les Mêmes, LE GARDE CHAMPÊTRE, puis Les Paysans et Les Paysannes, avec des lanternes. Le garde champêtre entre d’abord par la gauche, puis il appelle les paysans qui viennent de différents côtés. CATHERINE et FANCHETTE Sa femme ! Et le trésor ? GUILLOT Je le tiens. CATHERINE Part à deux. FANCHETTE Part à trois. GUILLOT, riant. Part à quatre, ah ! ah ! ah ! LE GARDE CHAMPÊTRE, s’approchant. Part à cinq. CATHERINE, parlé sur la musique. Ah ! voilà le garde champêtre avec tout le village ! FANCHETTE Approchez ! approchez ! Guillot a trouvé un trésor ! TOUS. Ah ! CATHERINE Il appartient à la commune ! Faut le forcer à le rendre ! FANCHETTE Ou bien à partager avec nous ! GUILLOT Partager ! — Allons donc ! (Montrant Denise.) Le v’’là, mon trésor, et je le garde pour moi seul ! quant au magot, cherchez si vous voulez, je vous le cède ! (Aux paysans.) Merci, les amis, d’être venus éclairer nos fiançailles… (Tous les paysans lèvent leurs lanternes.) Ce mariage-là pourra s’appeler le mariage aux lanternes. FINALE. GUILLOT Messieurs, la pièce est terminée, Nous vous quittons jusqu’à demain, DENISE Mais, hélas ! notre destinée Est encore dans votre main. FANCHETTE Pour une pièce si légère, Faut-il se fâcher tout de bon ? Non. CATHERINE Demain, nous ferons mieux, j’espère, Applaudissez tous aujourd’hui, Oui. ENSEMBLE Allons donc ! allons donc ! Pour une pièce aussi légère Faut-il se fâcher tout de bon ? Non. FIN Une place de village. — À gauche la maison de Guillot ; à droite, l’entrée d’une grange devant laquelle se trouve un gros arbre dont le pied forme banc de gazon ; une petite table rustique devant la maison. Scène PREMIÈRE GUILLOT, DENISE Denise est debout auprès de l’arbre, elle est pensive. — Guillot entre par la gauche. GUILLOT, brusquement. Eh bien ! qu’est-ce que tu fais là, plantée comme une image ? DENISE Moi, mon cousin, je ne fais rien. GUILLOT Je le vois bien !… à quoi que tu penses ? DENISE Dame ! mon cousin… GUILLOT À pas grand’chose de bon, bien sûr. Les poules ont-elles à manger seulement ? je parie que tu ne leur z’as pas encore donné leur grain d’aujourd’hui ! DENISE Non, mon cousin, mais… GUILLOT Là ! qu’est-ce que je disais !… As-tu fini de tricoter la paire de bas que tu as commencée avant-z’hier ? DENISE Oh ! pour ça non, mon cousin… GUILLOT J’en étais sûr ! et il est déjà sept heures du matin ! — Mais quoi que t’as fait aujourd’hui, je vous le demande ?… À quoi que tu passes ton temps ? à dormir debout, à rêvasser comme une demoiselle !… ça n’peut pas marcher comme ça, d’abord !… avec ta mine triste à porter le diable en terre… DENISE Oui, mon cousin… RONDEAU. GUILLOT Que dirait l’oncle Mathurin, S’il te voyait l’air si chagrin ? Toi qui jadis toujours rieuse, Étais d’ici la plus joyeuse ! Allons, je veux te voir soudain Riante, gaie, heureuse, enfin ! GUILLOT À quoi passes-tu la journée ? Trouverai-je en rentrant la basse-cour gavée ? DENISE Oui, mon cousin. GUILLOT As-tu rentré dans l’écurie Le foin ? As-tu mené les bœufs dans la prairie ? DENISE Oui, mon cousin. GUILLOT Et la soupe est-elle trempée ? As-tu mis au grenier la luzerne coupée ? DENISE Oui, mon cousin. GUILLOT Trouverai-je enfin, je te prie, Tout en ordre en rentrant dans notre métairie ? DENISE Oui, mon cousin. GUILLOT Alors, tu dois être contente ? Pourquoi donc n’as-tu plus la mine souriante ? Que dirait l’oncle Mathurin S’il te voyait, etc., etc., etc. GUILLOT Tu ne fais rien depuis deux heures Eh bien !… en vérité, l’on dirait que tu pleures ! DENISE, s’essuyant les yeux. Non, mon cousin. GUILLOT Ne suis-je pas la bonté même ? Et, pour toi, ma douceur n’est-elle pas extrême ? DENISE Si, mon cousin. GUILLOT Alors, tâche donc de me dire Pourquoi jamais chez nous l’on ne te voit sourire ? DENISE Dame, mon cousin. GUILLOT Allons, j’entends que tout de suite Tu sois gaie, et je veux te voir rire au plus vite, DENISE, souriant. Oui, mon cousin. GUILLOT Je suis content, à la bonne heure ! Mais je me fâcherai désormais si l’on pleure. Que dirait l’oncle Mathurin, Etc., etc., etc. GUILLOT Voyons, dépêche-toi… va donner la becquée aux poules et puis finis ta paire de bas, et puis repasse le linge de la lessive, et plus vite que ça, ou sinon… DENISE, effrayée. Oui, mon cousin… Elle se sauve. Scène II GUILLOT, seul. Quand Denise est partie, Gaillet se met à rire en regardant le public — puis d’une voix très-douce. J’ai l’air de croquemitaine, n’est-ce pas ? quand je parle à cette jeunesse… c’est exprès… c’est pour de rire ! Je tâche de l’échigner à force de la faire travailler… c’est bon pour les filles, ça… il n’y a rien qui les abrutit comme la fatigue ! et ça les empêche de penser à mal… et celle-là, je serais si désolé de la voir mal tourner !… car enfin c’est ma petite cousine, puisqu’elle est la nièce de mon oncle Mathurin ; c’est comme mon enfant, puisqu’elle est orpheline, et que son oncle, le mien, le père Mathurin, me l’a confiée quand il est parti pour Paris… Jusqu’à présent je n’en avais jamais eu que de la satisfaction, quand, il y a quinze jours, en passant du côté de la poste, je la vois qui mettait une lettre dans la boîte… Je me dis tout de suite bien sûr, c’est à Grévin qu’elle écrit. Il a dansé neuf rondes avec elle, dimanche soir à l’assemblée, avant de retourner à son village… Bien sûr, c’est à Grévin qu’elle écrit !… aussi, je vous demande un peu pourquoi qu’on y a appris à écrire !… Est-ce qu’une fille devrait savoir de ces choses-là ? mais c’était une lubie de notre oncle Mathurin, il a tenu à ce que j’avions de l’instruction !… Enfin, v’là Denise qui rentre ; j’étais furieux… je lui fais des misères… elle se met à pleurer… moi, je ne sais pas résister à ses pleurs d’abord, mais n’importe, je prends mon courage à quatre mains, et je lui dis bravement Mademoiselle, vous avez écrit à Grévin !… Elle me dit que non… je lui dis que si, et que j’ai vu la lettre ! Ah !… eh bien, croiriez-vous que je n’ai jamais pu faire avouer à cette obstinée-là qu’elle avait écrit à Grévin ?… Oh ! c’est menteur, ces petites filles !… Et puis, faut-il qu’elle soit godiche de se mettre à avoir des idées pour un gueux comme ça ?… car c’est un gueux, Grévin, savez-vous, un vrai gueux, un plat gueux, pas autre chose qu’un gueux ! Si, encore autre chose, un enjoleux. Et je ne veux pas qu’elle soit malheureuse, moi, parce qu’enfin c’est une brave fille, et c’est elle qu’a soigné ma pauvre mère dans sa dernière maladie, pendant que j’étais garçon de ferme, à cinq lieues d’ici ; et ces choses- là ça ne s’oublie pas ; aussi si jamais… je ne te dis que, ça… vois-tu, Denise… Voyons un peu si elle a fait ce que je lui ai dit. Il rentre dans la grange. Scène III CATHERINE, FANCHETTE Elles entrent bras dessus, bras dessous, par le fond à gauche. FANCHETTE Et alors donc, vous me disiez ?… CATHERINE Je vous disais que je voudrais devenir une madame. FANCHETTE Et moi donc ! si je pouvais trouver un riche parti, pour me dédommager un peu de feu mon époux ! CATHERINE Tu l’aimais bien, pourtant… FANCHETTE Sans doute, mais ce n’était qu’un paysan. Crois-moi, ma chère, n’épouse jamais qu’un homme huppé. CATHERINE Oh ! si un monsieur voulait de moi !… FANCHETTE C’est pas les amoureux qui nous manquent. CATHERINE Non… c’est l’argent qui manque aux amoureux. FANCHETTE Ainsi, il y a ce grand dadais de Guillot… CATHERINE Le neveu du père Mathurin ? FANCHETTE Je suis sûre qu’il est amoureux de moi ! CATHERINE Tiens, franchement, je crois plutôt que c’est de moi… FANCHETTE Pourtant, c’est bien à moi qu’il fait la cour ! CATHERINE A moi aussi, toujours ! A preuve que, l’autre matin, tandis que j’étions à l’abreuvoir, il m’a flanqué un grand coup de poing dans le dos, que j’ai manqué de dévaler dans l’eau… C’est ça, une marque d’amour ! FANCHETTE Eh bien ! et moi donc, l’autre soir, à la veillée, comme j’allais pour m’asseoir, il m’a retiré ma chaise et je suis tombée sur… le plancher, ah ! qu’est-ce que tu dis d’çà, toi. Oh ! après ça, va, je n’y tiens pas… si tu le veux, je te le cède. CATHERINE Pas du tout, moi, je t’en fais cadeau. FANCHETTE Qu’est-ce que j’en ferais ? Il n’a pas le sou ! CATHERINE C’est bien pour ça que je ne l’encourage point. FANCHETTE Et puis, il est trop doux on n’aurait pas de plaisir à le battre. CATHERINE Le fait est qu’il ne ressemble guère à mon premier mari, qui, hélas ! me… FANCHETTE Ah bah !… est-ce que ?… I CATHERINE Mon cher mari quelquefois s’emportait, Il me battait, me battait, me battait. (Bis.) Moi, je pleurais, je pleurais, je pleurais, Et jour et nuit, hélas je soupirais… Voyant mes pleurs couler, Dans sa rage inhumaine, Loin de me consoler Il riait de ma peine, Et plus je pleurais, plus il me battait ! (Bis.) FANCHETTE, parlé. Ah bien, chez nous, c’était tout le contraire ! II Soir et matin, c’est moi qui m’emportais, Je le battais, le battais, le battais. Il suppliait, il tremblait, il jurait, Et jour et nuit à mes pieds soupirait. En vain pour m’apaiser Il devenait plus tendre, Je gardais le baiser Qu’il eût voulu reprendre, Et plus il criait, plus je le battais ! Scène IV Les Mêmes, GUILLOT. Il sort de la grange tenant un broc de vin. GUILLOT Mais où diable peut-elle être, cette enragée-là ? je vous le demande… la v’là encore partie… C’est égal, il est bon le petit vin du père Mathurin, il se laisse boire. CATHERINE Tiens ! quand on parle du soleil… Bonjour, Guillot. GUILLOT Bonjour, Catherine ; bonjour, Fanchette. FANCHETTE Qu’est-ce que vous avez donc, Guillot ? (Bas à Catherine.) Il a l’air plus bête que de coutume. Elles rient. GUILLOT, riant, à part. C’est gai, les jeunesses ! CATHERINE C’est l’effet du vin. GUILLOT Le vin ? Oh ! non, c’est l’inquiétude. Il pose son broc sur la table. FANCHETTE Et de quoi donc ? GUILLOT Voilà plus de quinze jours que j’ai écrit à mon oncle Mathurin, et je ne vois pas arriver sa réponse… Il passe entre les deux femmes. FANCHETTE Dame ! vous ne lui écrivez jamais que pour lui demander quelque chose… GUILLOT Oh ! ça… bien sûr que quand je lui écris, c’est pas pour lui faire des cadeaux ! CATHERINE Lui en avez-vous soutiré de l’argent, à ce pauvre homme ! GUILLOT Pauvre, lui ! (Riant bêtement.) Oh ! oh ! oh ! FANCHETTE, l’imitant en se moquant de lui. Oh ! oh ! Rit-il bêtement, ce gaillard-là ! GUILLOT, à part. C’est gai, les jeunesses !… (Haut.) Mais, mes pauvres chattes, mon oncle est plus riche, à lui tout seul, que tout le village réuni. FANCHETTE IL n’a pas de biens au soleil. GUILLOT C’est vrai… mais il a des écus, ce qui vaut mieux… et il faut croire que son sac n’a pas de fond… car ce qu’il y a de sûr, c’est que jusqu’à présent, il ne m’en a jamais refusé… Après ça, c’est tout naturel il a de quoi, moi, je n’ai rien… mais c’est égal, cette fois, je ne sais pas s’il m’accordera… CATHERINE Vous lui avez encore demandé quelque chose ! GUILLOT Toujours !… mais ce coup-ci, la demande est forte et je crains bien… CATHERINE S’il pouvait vous donner de l’esprit, mon garçon, ça serait un fameux cadeau !… GUILLOT Ah ! que vous êtes drôle, Catherine ! CATHERINE L’est pas comme vous, alors ; car vous ne l’êtes guère ! GUILLOT C’est gai, les jeunesses !… Scène V Les Mêmes, DENISE. DENISE Mon cousin !…mon cousin !… GUILLOT, durement. Ah ! te voilà, toi !… d’où que tu viens encore ? qu’est-ce que tu veux ?… voyons, parleras-tu ?… DENISE Comme je passais du côté de la poste… GUILLOT Du côté de la poste !… tu y passes ben souvent, du côté de la poste ! qu’est-ce que tu y allais faire ? DENISE Dame ! mon cousin… GUILLOT Hum ! mauvaise herbe ! après, voyons ? DENISE Eh ! bien, il y a l’homme qui m’a appelée pour me remettre une lettre… GUILLOT De Grévin, je parie !… DENISE Non, mon cousin… GUILLOT Ah ! petite menteuse !.. oùs qu’elle est cette lettre ?… je veux la voir ! DENISE La v’là, mon cousin, je vous l’apporte… elle est pour vous… GUILLOT Pour moi ?… ah ! c’est différent ! FANCHETTE C’est de votre oncle, peut-être ? GUILLOT, ému. Oui, ça vient de Paris ! DENISE, à part. De mon oncle Mathurin ! Oh ! mon Dieu ! il lui écrit à lui aussi… pourvu qu’il ne lui dise pas… Sauvons-nous. Elle entre dans la grange. Scène VI Les Mêmes, moins DENISE. TRIO. FANCHETTE Eh bien, Guillot, quoi !… vous ne lisez pas ? CATHERINE Mais d’où vient donc tant d’embarras ? GUILLOT, à part. Je n’ose !… Si dans cette lettre Pour le consentement que j’osais me promettre, J’allais rencontrer un refus ! FANCHETTE Assurez-vous-en donc, vous ne tremblerez plus. GUILLOT C’est juste, ouvrons ! Il ouvre la lettre et lit « Mon cher neveu, » Ah quelle chance ! Cela commence Comme un aveu ! Lisant. « Mon cher neveu, dans ta lettre dernière, » Tu me demandes… » — Dieu ! que vois-je là ? CATHERINE Quoi donc ? GUILLOT Ah ! c’est mon second père ! Il m’accorde encore cela ! FANCHETTE Mais quoi donc ? GUILLOT Tenez, lisez ! Ou plutôt, non, écoutez ! Il lit. « A tes désirs toujours docile, » Je t’ai souvent donné de l’or. » Ta demande serait désormais inutile, » Et pour qu’à l’avenir tu me laisses tranquille. » Je te donne en ce jour… FANCHETTE, CATHERINE. Il vous donne ? GUILLOT Un trésor. » FANCHETTE Un trésor ! CATHERINE Un trésor ! GUILLOT Je ne changerais pas mon sort, Contre celui du seigneur du village, Et ma femme, dans son ménage, Sera, comme une reine, heureuse et plus encore CATHERINE Un trésor ! FANCHETTE Un trésor ! ENSEMBLE. FANCHETTE, CATHERINE Un trésor ! le voilà, ma foi, En ce jour plus heureux qu’un roi ! Ah ! que ne suis-je la nièce De ce donneur de trésor ! Peut-être que sa tendresse Eût sur moi fait pleuvoir l’or ! Un trésor ! GUILLOT Quel trésor ! me voilà, ma foi, En ce jour plus heureux qu’un roi ! Ah ! que je me sens de tendresse Pour ce précieux trésor ! Je préfère ma richesse A toutes les mines d’or ! Un trésor ! GUILLOT Ah ! le cher oncle !… un trésor à moi ! un vrai trésor ! c’est à ne pas y croire ! FANCHETTE Un trésor !… Vraiment ce garçon n’a pas l’air si bête qu’on le croirait d’abord. CATHERINE Un trésor !… Quand on le considère, ce brave Guillot, il n’est vraiment pas si laid… FANCHETTE Il a les yeux vifs. CATHERINE Il a quelque chose dans le nez… GUILLOT Mais, alors, je vais pouvoir me marier comme je l’entends. FANCHETTE C’est ce que j’allais vous dire… CATHERINE Quand on est riche, n’est-ce pas, on choisit. GUILLOT C’est bien mon avis, et mon choix ne sera pas long. FANCHETTE Si on aime une blonde, on prend une blonde… CATHERINE Si on préfère les brunes, on prend une brune. GUILLOT Vous ne me laissez pas finir ma lettre. Il faut pourtant bien que je sache où il est, ce trésor… (Lisant.) « Sous le gros arbre, devant ta porte, ce soir, quand sonnera l’angelus… (Voyant les deux femmes qui le guettent.) Eh bien, sont-elles curieuses, donc !… ah ! le cher trésor ! et maintenant je veux boire à la santé de l’oncle Mathurin, et vous aussi vous boirez, et vous aussi. Eh ! Denise, des verres ! FANCHETTE, à part. Sous le gros arbre… on y sera !… CATHERINE, à part. Quand l’angelus sonnera… on y serai… GUILLOT, à part. Ce soir, ici, avec ma bêche… (Haut.) Eh ben, Denise ! des verres ! DENISE, entrant. Voilà, mon cousin ! Scène VII Les Mêmes, DENISE. Elle apporte trois gobelets. FANCHETTE et CATHERINE Donne !… c’est moi qui verserai ! FANCHETTE C’est moi ! CATHERINE C’est moi ! GUILLOT Allons, allons, ne nous disputons pas ! (Tendant son verre Denise.) Verse, Denise ! CHANSON A BOIRE. I Quand les moutons sont dans l’étable, Quand les poules sont au perchoir, Le dos au feu, le ventre à table, Près d’un ami, j’aime à m’asseoir. Si Dieu nous défendait de boire, Aurait-il fait le vin si bon ? Non ! Si l’eau nous pousse à l’humeur noire, Le vin dissipe notre ennui ! Oui ! Allons donc ! Buvons donc ! Si Dieu nous défendait de boire, Aurait-il fait le vin si bon ? Non ! II Quand j’ai soif, j’ai l’esprit morose ; Je suis stupid’, gauche et poltron ; Quand j’ai bu, je vois tout en rose, Quand j’ai bu, je suis un luron ! Il prend la taille de Catherine et celle de Fanchette. Si Dieu nous défendait de boire, Etc., etc. GUILLOT, un peu gris. Eh bien ! qu’est-ce que vous dites de ma chanson ?… Et mon vin, comment le trouvez-vous ? Ah ! ah ! ah ! je crois que j’en ai trop bu ! faut que j’aille faire quelques courses dans le village… Adieu, Fanchette ! (Il l’embrasse.) je ne te dis que ça !… Adieu, Catherine ! (Il l’embrasse.) je ne te dis que ça !… Ah ! ah ! ah !… Il sort. DENISE Il s’en va sans m’embrasser ! Elle rentre tristement dans la maison. Scène VIII CATHERINE, FANCHETTE. CATHERINE Ah ! vous vous laissez embrasser comme ça, vous ! FANCHETTE Ah ! c’est comme ça que vous vous défendez, vous ! CATHERINE Il paraît que vous en tenez pour Guillot, depuis qu’il est riche ! FANCHETTE On voit bien que son magot vous donne dans l’œil ! CATHERINE Parlez pour vous ! FANCHETTE Mais non ! CATHERINE Mais si ! FANCHETTE Mais non ! c’est-y pas vous qui me disiez tout à l’heure que vous voudriez être une madame ! CATHERINE Et vous donc qui demandiez un homme huppé. FANCHETTE Comme si on ne lisait point dans votre jeu ! CATHERINE Comme si je ne devinais point que c’est le trésor qui vous tente ! FANCHETTE Vous trouviez Guillot si bête ! CATHERINE C’est vous !… FANCHETTE C’est vous ! CATHERINE Mais non ! FANCHETTE Mais si ! CATHERINE Mais non ! TOUTES DEUX. Ah ! ah ! DUETTO. ENSEMBLE. Ah ! la fine mouche ! La sainte-nitouche ! Quel air innocent ! Je me tiens à quatre Pour ne pas la battre ! C’est irritant, C’est déplaisant, C’est agaçant ! CATHERINE Quand Guillot vous agace, Vous lui tendez la face ! FANCHETTE S’il vous prend dans ses bras, Vous n’le maltraitez pas ! CATHERINE Je vois bien que madame Voudrait d’venir sa femme. FANCHETTE Madame aurait l’esprit De l’choisir pour mari ! REPRISE DE L’ENSEMBLE. Ah ! la fine mouche ! La sainte-nitouche ! Quel air innocent ! Je me tiens à quatre Pour ne pas la battre ! C’est irritant, C’est déplaisant, C’est agaçant ! CATHERINE Vous aurez beau dire, Il faut, pour l’séduire, De certains attraits Qu’vous n’aurez jamais ! FANCHETTE Vous aurez beau faire, Il faut pour lui plaire, De certains appas, Que vous n’avez pas ! CATHERINE Guillot n’est point bête, La noce n’est point faite. FANCHETTE Et s’il a d’bons yeux, Il peut choisir mieux. CATHERINE Guillot, quoi qu’on dise, N’f’ra pas la sottise D’vous donner dès d’main Son cœur et sa main. ENSEMBLE. Elle enrage ! elle enrage ! Se montrant le poing. N’ajoute plus un mot Ou bien j’te dévisage ! Se jetant leurs sabots dans les jambes. Tiens ! tiens ! V’là mon sabot ! Se prenant aux cheveux. Quand on m’fâche, Moi j’arrache Les cheveux Et les yeux ! Tiens ! tiens ! tiens ! Elles s’arrachent leurs cornettes et leurs fichas et les jettent en l’air ; le garde champêtre parait au fond. Scène IX Les Mêmes, LE GARDE CHAMPÊTRE. LE GARDE CHAMPÊTRE, s’interposant et recevant les coups des deux côtés. Eh ben ! eh ben ! eh ben ! Deux femmes qui se disputent, ça ne s’est jamais vu dans la commune. CATHERINE et FANCHETTE Le garde champêtre ! CATHERINE, très-vite. Vous saurez, père Mathias… FANCHETTE, id. Faut que je vous dise… CATHERINE Que Guillot… FANCHETTE A reçu de son oncle Mathurin… CATHERINE Une lettre qui lui apprend… FANCHETTE Que sous le gros arbre qui est là… CATHERINE Devant sa porte… FANCHETTE Il trouvera ce soir. CATHERINE A l’heure de l’angelus… LE GARDE CHAMPÊTRE Quoi ? CATHERINE et FANCHETTE Chut ! on vient. FANCHETTE Venez avec nous, je vous dirai le reste ! Elles entraînent le garde champêtre, et tous trois sortent par la droite au fond. Scène X DENISE, seule. – Elle tient une lettre à la main et lit. « Je sais d’où vient ton chagrin, ma chère Denise… « c’est un mari qu’il te faut, un bon mari… » (Soupirant.) un mari ! — « Je me charge de te l’envoyer. — Viens t’asseoir au pied du gros arbre qui est devant votre porte, et quand l’angelus du soir sonnera… » — L’oncle Mathurin se moque de moi ! — Ce n’est pas un mari que je demande… à moins que… mais non, c’est Fanchette ou Catherine qu’il aime ! moi, je vois bien que je lui déplais ! (Regardant autour d’elle.) Voici la nuit et la cloche de l’angelus va sonner… j’ai bien envie de m’asseoir au pied de l’arbre pour voir si l’oncle Mathurin tiendra sa promesse !… On entend sonner la cloche de l’angelus. — Nuit complète. FINALE. DENISE Voici l’angelus qui sonne ; Le jour s’enfuit, Voici la nuit… Elle regarde autour d’elle. Je ne vois encore personne, Ne disons rien, Écoutons bien. Elle s’assied au pied de l’arbre. GUILLOT, sortant du hangar avec une bêche et une lanterne. Voici l’angelus qui sonne ; Le jour s’enfuit, Voici la nuit. Dirigeant la lumière de sa lanterne vers le fond du théâtre. Tout dort — je ne vois personne ; Ne disons rien Tout ira bien ! Il remonte vers le fond. FANCHETTE et CATHERINE, paraissant, l’une à droite et l’autre à gauche du théâtre, une lanterne à la main. Voici l’angelus qui sonne ; Le jour s’enfuit, Voici la nuit… Ne disons rien à personne, Écoutons bien ! Tout ira bien ! DENISE, s’endormant peu à peu. Ah ! comme je suis lasse ! GUILLOT, s’approchant de l’arbre. Voici la bonne place ! CATHERINE et FANCHETTE, cachant leurs lanternes sons leurs tabliers et se retirant sous le feuillage. C’est lui, gardons la place ! DENISE Malgré moi, je m’endors. GUILLOT, posant sa lanterne à terre et commençant à bêcher derrière l’arbre. C’est le nid aux trésors ! Denise s’est endormie. Corbleu ! morbleu ! j’ai beau creuser la terre, Je ne vois rien encor ! Il s’arrête et s’essuie le front. CATHERINE et FANCHETTE. Sachons nous taire ! GUILLOT Maudit trésor ! Où peut-il être ? Cherchons encor, Ici peut-être. Il s’approche près du banc. Que vois-je ? c’est Denise ! CATHERINE et FANCHETTE, à part. Comment ! voilà Denise ! GUILLOT Elle dort ! CATHERINE et FANCHETTE Elle dort ! GUILLOT. Et près d’elle peut-être est caché le trésor ! Il va pour l’éveiller. Mais la pauvre enfant repose. La réveiller… hélas ! je n’ose ! DENISE, rêvant. Guillot ! mon cher Guillot ! GUILLOT Elle me voit en rêve ! DENISE Mon bon Guillot ! GUILLOT, se penchant vers Denise. Achève ! CATHERINE, à part. Ah ! j’enrage ! FANCHETTE, à part. Je crève ! GUILLOT, apercevant la lettre. Mais quel est ce papier ? CATHERINE et FANCHETTE Un papier ? GUILLOT De Grévin ! C’est quelque billet doux, peut-être !… Ah ! le gredin Lisons vite ! Il tire doucement le papier des doigts de Denise et le parcourt à la lueur de sa lanterne. CATHERINE et FANCHETTE, à part et se rapprochant. Ecoutons GUILLOT Ciel ! que viens-je de lire ! C’est un billet de l’oncle Mathurin !… Lisant. « L’époux que ton cœur désire, » Quand l’angelus sonnera, » A tes côtés apparaîtra ! » On entend de nouveau la cloche de l’angelus. CATHERINE et FANCHETTE Voici l’angelus qui sonne ! GUILLOT Voici l’angelus qui sonne ! DENISE, s’éveillant à demi. Voici l’angelus qui sonne. GUILLOT, lisant. Parlé. « En te donnant à lui, mignonne, » C’est un trésor que je lui donne. » Un trésor ! — Je comprends ! DENISE, s’éveillant. Hein plaît-il ? qui est là ? Est-ce vous, mon mari ? GUILLOT Oui, Denise, c’est moi ! DENISE Guillot ! GUILLOT, se mettant à genoux devant Denise. Guillot qui t’aime, ma petite Denise, et qui te demande de vouloir bien être sa femme. CATHERINE et FANCHETTE Ah bah ! GUILLOT, se retournant. Tiens ! Catherine et Fanchette ! Bonsoir, Fanchette ; bonsoir, Catherine, je vous présente ma femme. Scène XI Les Mêmes, LE GARDE CHAMPÊTRE, puis Les Paysans et Les Paysannes, avec des lanternes. Le garde champêtre entre d’abord par la gauche, puis il appelle les paysans qui viennent de différents côtés. CATHERINE et FANCHETTE Sa femme ! Et le trésor ? GUILLOT Je le tiens. CATHERINE Part à deux. FANCHETTE Part à trois. GUILLOT, riant. Part à quatre, ah ! ah ! ah ! LE GARDE CHAMPÊTRE, s’approchant. Part à cinq. CATHERINE, parlé sur la musique. Ah ! voilà le garde champêtre avec tout le village ! FANCHETTE Approchez ! approchez ! Guillot a trouvé un trésor ! TOUS. Ah ! CATHERINE Il appartient à la commune ! Faut le forcer à le rendre ! FANCHETTE Ou bien à partager avec nous ! GUILLOT Partager ! — Allons donc ! (Montrant Denise.) Le v’’là, mon trésor, et je le garde pour moi seul ! quant au magot, cherchez si vous voulez, je vous le cède ! (Aux paysans.) Merci, les amis, d’être venus éclairer nos fiançailles… (Tous les paysans lèvent leurs lanternes.) Ce mariage-là pourra s’appeler le mariage aux lanternes. FINALE. GUILLOT Messieurs, la pièce est terminée, Nous vous quittons jusqu’à demain, DENISE Mais, hélas ! notre destinée Est encore dans votre main. FANCHETTE Pour une pièce si légère, Faut-il se fâcher tout de bon ? Non. CATHERINE Demain, nous ferons mieux, j’espère, Applaudissez tous aujourd’hui, Oui. ENSEMBLE Allons donc ! allons donc ! Pour une pièce aussi légère Faut-il se fâcher tout de bon ? Non. FIN Offenbach,Jacques/Le mariage aux lanternes
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ATTO SECONDO 1 - Sinfonia SCENA I （Giardino. Achille.） Recitativo ▼ACHILLE▲ Deidamia qui veggo appressarsi, e un guerrier seco chi mai, qui non veduto ancor, fia questi? Oh quanto vago è quel bianco e tremulo cimiero su quel dorato elmetto! Ben se gli assetta il fino usbergo, e pende leggiadro inver dal poderoso fianco il brando decisor d impegni! In quella siepe ascondomi a udir quel ch ei favella. SCENA II （Ulisse e Deidamia, (Achille nascosto).） 2 - Recitativo ▼ULISSE▲ Esser non può mortale chi sia di te più bella. Se il perfido Troian, pria che a Micene, approdato qui fosse, d Elena la bellezza or non porrebbe la Grecia e l Asia in guerra. ▼DEIDAMIA▲ Dolce è ascoltar la meritata lode, ma questa tal non è venne al tuo labbro dal cor gentile e dal cortese sguardo. ▼ULISSE▲ Venne dal core, è vero dal cor che i primi tuoi sguardi vezzosi ferito han sì che risanarlo soli altri sguardi potran dolci amorosi. Non mi rispondi? e di vermiglia rosa spargi le guance dilicate? Un fido amor dettò quel ch ora il labbro dice. ▼DEIDAMIA▲ Risposta dar, qual brami, a me non lice. ▼ULISSE▲ Ma pria la speme da te sol dipende. Sdegnoso forse è il vago tuo rossore? Rispondimi. ▼DEIDAMIA▲ Non deggio. ▼ULISSE▲ T offende l amor mio? ▼DEIDAMIA▲ Lo penso onore. ▼ULISSE▲ Ahi che, sebben sincero, Antiloco ti spiace! ▼DEIDAMIA▲ Piace chi s ama, è vero; ma non s ama per questo ognun che piace. ▼ULISSE▲ Deh, un guardo alletti almen la mia speranza. Costanza e Amor vogliono pur ch io speri. ▼DEIDAMIA▲ Molto possono uniti Amor, Costanza. 3 - Aria ▼ULISSE▲ Un guardo solo, pupille amate conforto al duolo, deh, non negate ma un guardo, o care, in cui sfaville d Amor la face. Ogn altro sguardo che a me volgete è freddo, è tardo deh, mi rendete, pietose, vezzose, al cor la pace. Un guardo, （etc.） （Parte） Recitativo ▼DEIDAMIA▲ Oh che importuni affetti! Ma dov è il caro Achille? Son pur soletta e, com ei suol, non viene? Perché tal lontananza? ▼ACHILLE▲ Molto possono uniti Amor, Costanza. ▼DEIDAMIA▲ Quivi nascosto… ▼ACHILLE▲ Il tutto intesi. Oh quanto ti dilettaron di beltà le lodi, ti piacquero gli affetti ed i sospiri! Avresti fino al tramontar del giorno, s ei non partiva, udito il nuovo amante. ▼DEIDAMIA▲ Ma non doveva io già… ▼ACHILLE▲ Taci, incostante. Fremer lo sdegno io mi sentia nel core. ▼DEIDAMIA▲ Ma non t offesi, o caro. ▼ACHILLE▲ Non m offende il tu amor, lo penso onore. Quando ti cominciò parlar d affetto, compor di serietà dovevi il volto e dir parlami d altro, o non t ascolto. ▼DEIDAMIA▲ Rimproveri crudeli a un innocente. ▼ACHILLE▲ No, che non è fedele a un solo oggetto chi gli affetti e i sospir d un altro sente. ▼DEIDAMIA▲ Pace, bell idol mio sai che costante solo a te… ▼ACHILLE▲ Va , infedele, al nuovo amante. 4 - Aria ▼ACHILLE▲ Lasciami. Tu sei fedele? Vattene. Tu sei costante? Ah, lasciami, infedele, non posso amarti più. Scegliere vuò un altr oggetto, ardere d un altro affetto. Che potrai dir, crudele? Farò quel che fai tu. （Parte） 5 - Recitativo ▼DEIDAMIA▲ Se l ira del mio bene io non pensassi più dispetto d amor che vero sdegno, m opprimerebbe l alma aspro dolore. Ma pur ascolto, ahi lassa! le voci del timore. SCENA III （Nerea e detta.） Recitativo ▼NEREA▲ Il real Licomede, de prencipi a diporto, di caccia dilettosa ordin già diede; e vuol, qual è nostr uso, che con l altre donzelle ne siam le ninfe cacciatrici. ▼DEIDAMIA▲ Ahi lassa! ▼NEREA▲ Perché sospiri? ▼DEIDAMIA▲ Ah, che il secreto mio fidato al tuo bel cor viepiù s espone. Quello spirto, quel brio sveleran quel ch è Pirra e chi può mai distorla dal venir? ▼NEREA▲ Dianzi Fenice di beltà mi diè lode, e d affetti parlò. ▼DEIDAMIA▲ Lo stesso fece Antiloco ver me. ▼NEREA▲ Nostre lusinghe e quel di Pirra disprezzante orgoglio faran sì che terrem gl illustri amanti lunge da lei. Sappi aiutar la frode con finti guardi e docili maniere. ▼DEIDAMIA▲ L avviso sieguirò. ▼NEREA▲ Lungo sel gode chi maneggia con arte il suo piacere. 6 - Aria ▼NEREA▲ D amor ne primi istanti facili son gli amanti a farsi lusingar solo per vanità. Del merto lor l effetto credono quell affetto, e il vanto voglion dar più a sé che alla beltà. D’Amor, （etc.） （Parte） 7 - Recitativo ▼DEIDAMIA▲ Lusinghe allettatrici son queste sì, ma son lusinghe sole. Raro ben si rannoda laccio d amor che dallo sdegno è sciolto. Speme allettar mi vuole, e pur sol del timor le voci ascolto. Forse Achille ricopre di sdegnoso color nuovo pensiero d abbandonarmi. Oh dei, come viver potrò, se questo è vero! 8 - Aria ▼DEIDAMIA▲ Se l timore il ver mi dice, infelice abbandonata, sorte ingrata! io morirò. Ma, diletta a mia costanza la speranza a dir mi viene che l mio bene io placherò. Se ‘l timore, （etc.） （Parte） SCENA IV （Licomede, Ulisse.） Recitativo ▼LICOMEDE▲ Della caccia i diporti deliziosi ha il regno mio. La reggia siede a specchio dell onde, e quegli ameni campi e ombrosi colli le fanno verde anfiteatro intorno. ▼ULISSE▲ Degno regal riposo d inclito eroe che pien di gloria e d anni godesi un meritato almo soggiorno. 9 - Recitativo ▼LICOMEDE▲ In quelle piagge o in quelle annose selve sian oggi vostra dilettevol preda le fuggitive belve. M appagherò del sol racconto. Un tempo la corsa e il dardo erano i miei diletti, le fatiche più grate. Il piè non puote più il comando eseguir dei desir miei, ma in tranquilla vecchiezza ozio felice anche mi dan gli dei. 10 - Aria ▼LICOMEDE▲ Nel riposo e nel contento godo e sento lieve il peso dell età; e la vita mia contenta lieta e lenta alla meta se ne va. Nel riposo, （etc.） （Parte） SCENA V （I cacciatori e le cacciatrici appariscono.） 11 – Soli e Coro ULISSE e CORO di cacciatori Della guerra la caccia ha sembianza, sono scuola di Marte le selve v è coraggio, fatica e costanza in seguir e in combatter le belve. DEIDAMIA e CORO di cacciatrici E poi dopo l affanno e il diporto sono amor e riposo il conforto. ▼TUTTI▲ Della guerra （ecc.） （Partono） SCENA VI （Foresta. Siegue al coro una breve sinfonia di caccia. Fenice ed Ulisse, e poi Nerea.） Recitativo ▼FENICE▲ Inseguito da veltri, rapido cervo di ramose corna venir da lunge mira. Vanne a quel varco io resto, se il tratto manchi, ad aspettarlo in questo. ▼NEREA▲ Teco sarò, ma il primo colpo io bramo. ▼FENICE▲ Tuo, ninfa bella, siane pur l onore s è di tua mano il dardo come quei del tuo sguardo all alma mia, lanciato il colpo, inevitabil fia. ▼NEREA▲ Di gentil cortesia vago concetto, ma non di vero affetto! Forse qual d Argo alle beltà mi fai amorose parole e dolci vezzi, poi nel cor te ne ridi e mi disprezzi. 12 - Recitativo ▼FENICE▲ Dalle fiamme d amore libero fin che qui giunsi ebbi l seno, perché in Argo non vidi bellezza a quella ugual cui parlo e vedo. ▼NEREA▲ Men l eroe veggo in te che il cacciatore. Giunger la preda vuoi, per non curarne poi no, non ti credo. 13 - Aria ▼NEREA▲ Non ti credo, non mi fido maggior prova al ver si vuole. Non sospiri, non parole bastan l alma a incatenar. Lo concedo che un infido disinvolto è nel momento, ma, disciolto, suol qual vento col momento poi cangiar. Non ti credo, （etc.） （Parte） SCENA VII （Ulisse e detto.） 14 - Recitativo ▼ULISSE▲ Ninfa da noi non vista ancor, veloce seguia quel cervo, lo raggiunse, e il dardo ben d appresso vibrò, colpì, l estinse; poi rinselvossi, altro a inseguir. Fenice, credi tu sciolta d amoroso laccio Deidamia? ▼FENICE▲ Quell innocente aspetto tal idea ne comparte un arte è forse. ▼ULISSE▲ È certamente un arte. Presa è d amor. ▼FENICE▲ Chi è dunque l amato? Un di noi forse è quello. ▼ULISSE▲ No, ma il giovinetto Achille in vesta femminil. Quel colpo, al certo, lanciato fu da destra di viril forza, e nel ferir maestra. Va sull avviso, osserva i moti e i guardi. ▼FENICE▲ Oh quanto scaltro sei! Nella caccia, più che di fere, andrò d Achille in traccia. 15 - Aria ▼FENICE▲ Presso ad occhi esperti già ne misteri dell amor, sia guardingo amante cor che sue fiamme vuol celar. Quando sola è la beltà, l accarezzi e ammiri allor un sol guardo ed un rossor, un sospir le può svelar. Presso, （etc.） （Parte） SCENA VIII （Achille e detto.） 16 - Recitativo ▼ULISSE▲ Pochi momenti a me, ninfa vezzosa. ▼ACHILLE▲ La caccia forse non t aggrada? ▼ULISSE▲ Allettami la cacciatrice più. ▼ACHILLE▲ Dimmi, potrei saper chi più fra noi par bella agli occhi tuoi? ▼ULISSE▲ Quella tu sei. ▼ACHILLE▲ Parve a tutte però che Deidamia pria t accendesse il sen. ▼ULISSE▲ Te vista ancora io non avea. D amor nemica è quella tu nol sei forse, e forse ancor più bella. ▼ACHILLE▲ Valoroso e sagace, apposto in parte ti sei. Non son nemica io degli amanti, ma nemica d amor n amo il corteggio, ma impero sul mio cor mai non avranno. Spergiuri ed infedeli, vantan fede ed affetto sol per conquista del presente oggetto. Ma perdo il mio piacer. ▼ULISSE▲ Deh, più dimora spirto maggior del femminil costume scorgo in te… ▼ACHILLE▲ Scaltro sei ben conoscesti ch amo la lode, e lusingar mi sai. SCENA IX （Deidamia in disparte, e detti.） Recitativo ▼ULISSE▲ Ma più amar ben poss io. Deh, vezzoso idol mio, mia fé, mia destra accogli. Amor disciolta lasciar non può tanta beltà. Tu ridi? ▼ACHILLE▲ Rido di te Deidamia t ascolta. 17 - Aria ▼ULISSE▲ No, quella beltà non amo （Verso Deidamia.） che l amor mio sprezzò. Sì, bella, te sola io bramo （Ad Achille.） quel guardo mi piagò, e quel mi sanerà. A questa orgogliosetta, mio ben, non sii fedele esser ognor crudele solo t insegnerà. No, quella beltà, （etc.） （Parte） 18 - Recitativo ▼DEIDAMIA▲ Questa è la caccia ch ami tanto? Questo è seguirmi? Crudel, meco placato mi promettesti, ingrato, d evitar questi Greci che a tua ruina sol vennero. ▼ACHILLE▲ Cara, tralasciar non potei sì bel diletto d udir un saggio eroe serio amante m offrir fede ed affetto. ▼DEIDAMIA▲ Ti scopriranno alfine. Ah, che non m ami, quel ch io bramo non brami. Povera Deidamia, dove fondò gli affetti e le speranze! Misera e abbandonata alfin sarà. ▼ACHILLE▲ Anima mia, vano è il timore. 19 - Aria ▼DEIDAMIA▲ Va, va, perfido quel cor mi tradirà. Ah barbaro, no che non sei fedel, no che non m ami. Ahi, misera quest alma resterà, ma libera poi morte mi farà crudel, lo brami. Va, va perfido, （etc.） （Parte） 20 - Recitativo ▼ACHILLE▲ Placar tosto saprò la mia diletta. Cerva corrente vien voglio a quel varco lanciarle il dardo. SCENA X （Fenice e detto, e poi coro di cacciatori e Ninfe） Recitativo ▼FENICE▲ Aspetta. ▼ACHILLE▲ Deh, mi lascia. ▼FENICE▲ Deh, bella, t è più caro di belve far preda che d amanti? ▼ACHILLE▲ Sempre avvezza ai diporti delle selve, con amor libertà cangiar non bramo. ▼FENICE▲ T offro un alma costante e d Argo il soglio. ▼ACHILLE▲ Non mi mancan grandezze, e amor non voglio. 21 - Aria ▼ACHILLE▲ Sì m’appaga, sì m’alletta quella vaga collinetta più che tanti folli amanti o d un sol la fedeltà. Sprezzo Amore più mi piace timidetta seguir l’orma sì fugace, che le gioie più dilette ch’ei promette e poi non dà. Sì m’appaga, （etc.） （Parte） 22 - Recitativo ▼FENICE▲ No, che ninfa non è. Ma già finito è il diporto Sinfonia Breve con corni Al ritorno chiama già l oricalco i cacciatori. Miglior consiglio in corte condurrà nostro senno a lieto fine. Malgrado a sorte infida, molto s ottien quando prudenza è guida. CORO di cacciatori e ninfe L alto Giove al travaglio penoso per seguace il riposo formò, come appresso di Marte alla face e la gloria e la pace mandò. ATTO SECONDO 1 - Sinfonia SCENA I Giardino.Achille. Recitativo ACHILLE Deidamia qui veggo appressarsi, e un guerrier seco chi mai, qui non veduto ancor, fia questi? Oh quanto vago è quel bianco e tremulo cimiero su quel dorato elmetto! Ben se gli assetta il fino usbergo, e pende leggiadro inver dal poderoso fianco il brando decisor d impegni! In quella siepe ascondomi a udir quel ch ei favella. SCENA II Ulisse e Deidamia, (Achille nascosto). 2 - Recitativo ULISSE Esser non può mortale chi sia di te più bella. Se il perfido Troian, pria che a Micene, approdato qui fosse, d Elena la bellezza or non porrebbe la Grecia e l Asia in guerra. DEIDAMIA Dolce è ascoltar la meritata lode, ma questa tal non è venne al tuo labbro dal cor gentile e dal cortese sguardo. ULISSE Venne dal core, è vero dal cor che i primi tuoi sguardi vezzosi ferito han sì che risanarlo soli altri sguardi potran dolci amorosi. Non mi rispondi? e di vermiglia rosa spargi le guance dilicate? Un fido amor dettò quel ch ora il labbro dice. DEIDAMIA Risposta dar, qual brami, a me non lice. ULISSE Ma pria la speme da te sol dipende. Sdegnoso forse è il vago tuo rossore? Rispondimi. DEIDAMIA Non deggio. ULISSE T offende l amor mio? DEIDAMIA Lo penso onore. ULISSE Ahi che, sebben sincero, Antiloco ti spiace! DEIDAMIA Piace chi s ama, è vero; ma non s ama per questo ognun che piace. ULISSE Deh, un guardo alletti almen la mia speranza. Costanza e Amor vogliono pur ch io speri. DEIDAMIA Molto possono uniti Amor, Costanza. 3 - Aria ULISSE Un guardo solo, pupille amate conforto al duolo, deh, non negate ma un guardo, o care, in cui sfaville d Amor la face. Ogn altro sguardo che a me volgete è freddo, è tardo deh, mi rendete, pietose, vezzose, al cor la pace. Un guardo, etc. Parte Recitativo DEIDAMIA Oh che importuni affetti! Ma dov è il caro Achille? Son pur soletta e, com ei suol, non viene? Perché tal lontananza? ACHILLE Molto possono uniti Amor, Costanza. DEIDAMIA Quivi nascosto… ACHILLE Il tutto intesi. Oh quanto ti dilettaron di beltà le lodi, ti piacquero gli affetti ed i sospiri! Avresti fino al tramontar del giorno, s ei non partiva, udito il nuovo amante. DEIDAMIA Ma non doveva io già… ACHILLE Taci, incostante. Fremer lo sdegno io mi sentia nel core. DEIDAMIA Ma non t offesi, o caro. ACHILLE Non m offende il tu amor, lo penso onore. Quando ti cominciò parlar d affetto, compor di serietà dovevi il volto e dir parlami d altro, o non t ascolto. DEIDAMIA Rimproveri crudeli a un innocente. ACHILLE No, che non è fedele a un solo oggetto chi gli affetti e i sospir d un altro sente. DEIDAMIA Pace, bell idol mio sai che costante solo a te… ACHILLE Va , infedele, al nuovo amante. 4 - Aria ACHILLE Lasciami. Tu sei fedele? Vattene. Tu sei costante? Ah, lasciami, infedele, non posso amarti più. Scegliere vuò un altr oggetto, ardere d un altro affetto. Che potrai dir, crudele? Farò quel che fai tu. Parte 5 - Recitativo DEIDAMIA Se l ira del mio bene io non pensassi più dispetto d amor che vero sdegno, m opprimerebbe l alma aspro dolore. Ma pur ascolto, ahi lassa! le voci del timore. SCENA III Nerea e detta. Recitativo NEREA Il real Licomede, de prencipi a diporto, di caccia dilettosa ordin già diede; e vuol, qual è nostr uso, che con l altre donzelle ne siam le ninfe cacciatrici. DEIDAMIA Ahi lassa! NEREA Perché sospiri? DEIDAMIA Ah, che il secreto mio fidato al tuo bel cor viepiù s espone. Quello spirto, quel brio sveleran quel ch è Pirra e chi può mai distorla dal venir? NEREA Dianzi Fenice di beltà mi diè lode, e d affetti parlò. DEIDAMIA Lo stesso fece Antiloco ver me. NEREA Nostre lusinghe e quel di Pirra disprezzante orgoglio faran sì che terrem gl illustri amanti lunge da lei. Sappi aiutar la frode con finti guardi e docili maniere. DEIDAMIA L avviso sieguirò. NEREA Lungo sel gode chi maneggia con arte il suo piacere. 6 - Aria NEREA D amor ne primi istanti facili son gli amanti a farsi lusingar solo per vanità. Del merto lor l effetto credono quell affetto, e il vanto voglion dar più a sé che alla beltà. D’Amor, etc. Parte 7 - Recitativo DEIDAMIA Lusinghe allettatrici son queste sì, ma son lusinghe sole. Raro ben si rannoda laccio d amor che dallo sdegno è sciolto. Speme allettar mi vuole, e pur sol del timor le voci ascolto. Forse Achille ricopre di sdegnoso color nuovo pensiero d abbandonarmi. Oh dei, come viver potrò, se questo è vero! 8 - Aria DEIDAMIA Se l timore il ver mi dice, infelice abbandonata, sorte ingrata! io morirò. Ma, diletta a mia costanza la speranza a dir mi viene che l mio bene io placherò. Se ‘l timore, etc. Parte SCENA IV Licomede, Ulisse. Recitativo LICOMEDE Della caccia i diporti deliziosi ha il regno mio. La reggia siede a specchio dell onde, e quegli ameni campi e ombrosi colli le fanno verde anfiteatro intorno. ULISSE Degno regal riposo d inclito eroe che pien di gloria e d anni godesi un meritato almo soggiorno. 9 - Recitativo LICOMEDE In quelle piagge o in quelle annose selve sian oggi vostra dilettevol preda le fuggitive belve. M appagherò del sol racconto. Un tempo la corsa e il dardo erano i miei diletti, le fatiche più grate. Il piè non puote più il comando eseguir dei desir miei, ma in tranquilla vecchiezza ozio felice anche mi dan gli dei. 10 - Aria LICOMEDE Nel riposo e nel contento godo e sento lieve il peso dell età; e la vita mia contenta lieta e lenta alla meta se ne va. Nel riposo, etc. Parte SCENA V I cacciatori e le cacciatrici appariscono. 11 – Soli e Coro ULISSE e CORO di cacciatori Della guerra la caccia ha sembianza, sono scuola di Marte le selve v è coraggio, fatica e costanza in seguir e in combatter le belve. DEIDAMIA e CORO di cacciatrici E poi dopo l affanno e il diporto sono amor e riposo il conforto. TUTTI Della guerra ecc. Partono SCENA VI Foresta. Siegue al coro una breve sinfonia di caccia.Fenice ed Ulisse, e poi Nerea. Recitativo FENICE Inseguito da veltri, rapido cervo di ramose corna venir da lunge mira. Vanne a quel varco io resto, se il tratto manchi, ad aspettarlo in questo. NEREA Teco sarò, ma il primo colpo io bramo. FENICE Tuo, ninfa bella, siane pur l onore s è di tua mano il dardo come quei del tuo sguardo all alma mia, lanciato il colpo, inevitabil fia. NEREA Di gentil cortesia vago concetto, ma non di vero affetto! Forse qual d Argo alle beltà mi fai amorose parole e dolci vezzi, poi nel cor te ne ridi e mi disprezzi. 12 - Recitativo FENICE Dalle fiamme d amore libero fin che qui giunsi ebbi l seno, perché in Argo non vidi bellezza a quella ugual cui parlo e vedo. NEREA Men l eroe veggo in te che il cacciatore. Giunger la preda vuoi, per non curarne poi no, non ti credo. 13 - Aria NEREA Non ti credo, non mi fido maggior prova al ver si vuole. Non sospiri, non parole bastan l alma a incatenar. Lo concedo che un infido disinvolto è nel momento, ma, disciolto, suol qual vento col momento poi cangiar. Non ti credo, etc. Parte SCENA VII Ulisse e detto. 14 - Recitativo ULISSE Ninfa da noi non vista ancor, veloce seguia quel cervo, lo raggiunse, e il dardo ben d appresso vibrò, colpì, l estinse; poi rinselvossi, altro a inseguir. Fenice, credi tu sciolta d amoroso laccio Deidamia? FENICE Quell innocente aspetto tal idea ne comparte un arte è forse. ULISSE È certamente un arte. Presa è d amor. FENICE Chi è dunque l amato? Un di noi forse è quello. ULISSE No, ma il giovinetto Achille in vesta femminil. Quel colpo, al certo, lanciato fu da destra di viril forza, e nel ferir maestra. Va sull avviso, osserva i moti e i guardi. FENICE Oh quanto scaltro sei! Nella caccia, più che di fere, andrò d Achille in traccia. 15 - Aria FENICE Presso ad occhi esperti già ne misteri dell amor, sia guardingo amante cor che sue fiamme vuol celar. Quando sola è la beltà, l accarezzi e ammiri allor un sol guardo ed un rossor, un sospir le può svelar. Presso, etc. Parte SCENA VIII Achille e detto. 16 - Recitativo ULISSE Pochi momenti a me, ninfa vezzosa. ACHILLE La caccia forse non t aggrada? ULISSE Allettami la cacciatrice più. ACHILLE Dimmi, potrei saper chi più fra noi par bella agli occhi tuoi? ULISSE Quella tu sei. ACHILLE Parve a tutte però che Deidamia pria t accendesse il sen. ULISSE Te vista ancora io non avea. D amor nemica è quella tu nol sei forse, e forse ancor più bella. ACHILLE Valoroso e sagace, apposto in parte ti sei. Non son nemica io degli amanti, ma nemica d amor n amo il corteggio, ma impero sul mio cor mai non avranno. Spergiuri ed infedeli, vantan fede ed affetto sol per conquista del presente oggetto. Ma perdo il mio piacer. ULISSE Deh, più dimora spirto maggior del femminil costume scorgo in te… ACHILLE Scaltro sei ben conoscesti ch amo la lode, e lusingar mi sai. SCENA IX Deidamia in disparte, e detti. Recitativo ULISSE Ma più amar ben poss io. Deh, vezzoso idol mio, mia fé, mia destra accogli. Amor disciolta lasciar non può tanta beltà. Tu ridi? ACHILLE Rido di te Deidamia t ascolta. 17 - Aria ULISSE No, quella beltà non amo Verso Deidamia. che l amor mio sprezzò. Sì, bella, te sola io bramo Ad Achille. quel guardo mi piagò, e quel mi sanerà. A questa orgogliosetta, mio ben, non sii fedele esser ognor crudele solo t insegnerà. No, quella beltà, etc. Parte 18 - Recitativo DEIDAMIA Questa è la caccia ch ami tanto? Questo è seguirmi? Crudel, meco placato mi promettesti, ingrato, d evitar questi Greci che a tua ruina sol vennero. ACHILLE Cara, tralasciar non potei sì bel diletto d udir un saggio eroe serio amante m offrir fede ed affetto. DEIDAMIA Ti scopriranno alfine. Ah, che non m ami, quel ch io bramo non brami. Povera Deidamia, dove fondò gli affetti e le speranze! Misera e abbandonata alfin sarà. ACHILLE Anima mia, vano è il timore. 19 - Aria DEIDAMIA Va, va, perfido quel cor mi tradirà. Ah barbaro, no che non sei fedel, no che non m ami. Ahi, misera quest alma resterà, ma libera poi morte mi farà crudel, lo brami. Va, va perfido, etc. Parte 20 - Recitativo ACHILLE Placar tosto saprò la mia diletta. Cerva corrente vien voglio a quel varco lanciarle il dardo. SCENA X Fenice e detto, e poi coro di cacciatori e Ninfe Recitativo FENICE Aspetta. ACHILLE Deh, mi lascia. FENICE Deh, bella, t è più caro di belve far preda che d amanti? ACHILLE Sempre avvezza ai diporti delle selve, con amor libertà cangiar non bramo. FENICE T offro un alma costante e d Argo il soglio. ACHILLE Non mi mancan grandezze, e amor non voglio. 21 - Aria ACHILLE Sì m’appaga, sì m’alletta quella vaga collinetta più che tanti folli amanti o d un sol la fedeltà. Sprezzo Amore più mi piace timidetta seguir l’orma sì fugace, che le gioie più dilette ch’ei promette e poi non dà. Sì m’appaga, etc. Parte 22 - Recitativo FENICE No, che ninfa non è. Ma già finito è il diporto Sinfonia Breve con corni Al ritorno chiama già l oricalco i cacciatori. Miglior consiglio in corte condurrà nostro senno a lieto fine. Malgrado a sorte infida, molto s ottien quando prudenza è guida. CORO di cacciatori e ninfe L alto Giove al travaglio penoso per seguace il riposo formò, come appresso di Marte alla face e la gloria e la pace mandò. Handel,George Frideric/Deidamia/III
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フロッグウェア4作目のホームズゲーム、トレーラーが出ました イギリス人探偵ｖｓフランス人怪盗の宿命の対決であります 最後の二人が向かい合っている絵が神ですわ これって、the awakenedのパッケージ絵描いた人と同じかな？ かなり、パッケージにもワクテカ デベロッパ公式HP http //www.frogwares.com/sherlock4/presentation.html 英語版HP http //www.sherlockholmes-thegame.com/en/sh4/index.php?lang=en rub=lejeu